[music]
good afternoon Sergey, it’s very nice to see
you on our channel,
good afternoon,
I greet all the participants, that is,
all the friends of the channel, I’m a little worried,
I greet all the friends of the astral channel
unique,
I wish you all the best in the world, I welcome you,
Yuri Rubenovich, I’m very happy that
I had such an opportunity to be
guest of your wonderful channel,
thank you for your kind words, with your help
our channel will be even more rich and
wonderful and we will be noticed even more,
I hope in the positive sense of
the word that they notice so much and do
n’t leave us alone, but we understand what we’re
talking about,
let’s talk about you
about your path to music, how it began,
how it manifested itself, how it all
began, you to your wonderful
inner space, thank you for this
contributed well,
I grew up in an ordinary family, I was born in an
ordinary family, my parent was a teacher, I
was born in northern Kazakhstan, the city of
Kustanai,
that means how I came to Since childhood,
my family loved to sing music, especially my
grandmother, by the way, she knows more than 300
Russian, Ukrainian, and Belarusian songs, and how
happy I was always when some
holidays were celebrated, birthdays,
something else, and a folk song always sang,
and
my father, of course, is an accordion player self-taught, but
by ear he selects very well and you
know, since childhood it somehow happened so
that I
was imbued with this spirit of folk music
and all these popular songs
that were still Soviet from that time,
which were written
to me, it was very close from the very beginning
then somewhere at the age of about
seven or eight years,
something pulled me very much towards my
father’s button accordion, which had a small accordion
checks in it, I began to extract certain
consonances, so to speak, as best I could, but of
course nothing worked, well, in
general, my parents saw it, they noticed it was
necessary to give them their due and they suggested that I,
then a 9-year-old boy, go to
music school, to which I responded with
consent, of course I agreed,
I’m very grateful to them for this, from the
age of nine I went to music school in the button accordion class and
ended up with a very good teacher, a woman,
this, by the way, is very important. it is
right to give him a hand since childhood so that he
has a very good teacher who
will instill a love for music.
How my musical compositions began
while still a
student at a music school, we
held
such small competitions in composing
music for solfeggio lessons, that is, they were called a young theorist,
I somehow decided also try myself
in this
at my own level at the children’s level, I
got something and in form, like you, in terms of
content, in principle, I now look at
these essays with a smile, of course, well, I think
for a child it was probably normal,
it was good,
from then on I I felt that I
could compose something, although then of
course it was all very simple and
primitive in a childish way.
Then I was faced with a choice. I
had a very good English
language school in a comprehensive school. It so
happened that the school was with in-depth
study of the English language and advanced
Closer to the ninth grade, I already had to
make some choice, either study
further or enroll somewhere or finish school,
well, I wanted to
become either a musician or take an
English course, but I didn’t know what to do, my
mother really wanted me to
become a translator,
that’s because also won
English language olympiads, he loved
this language very much and now, in principle, I
love him, and
my grandfather,
who is on the paternal side, is his father, he
loved it very much when I play the button accordion, he
himself was a failed musician, he
said that a bear stepped on his ear.
but he really loved it when I play
Ukrainian songs, farewell of the Slavs, I really
love it when I play on the hills of Manchuria and
he told me, Seryozh, you need to
follow music, these are your future ones,
I am very grateful to him for this,
he helped me, how he convinced me to decide on this
that after all, I need to study
music, that this is exactly woyo and even
went with me when I entered
college at the
Music Conservatory in Magnitogorsk in 2000, I
went to enroll, my grandfather was present
all the time, I entered successfully and now
my compositions began on the college bench
which I can already attribute to a more
professional level, and
I entered college as an accordion player, that is, I
graduated from school according to the accordion and entered
college, as it were, mist
how do you make a report now,
act more professionally, more professionally, my
music has some kind of
professional rise in this regard, well,
even looking at this music now, I see
that something there has not already appeared
final,
I took composition lessons from
[music] a
composition teacher Vladimir
Aleksandrovich Sidorov of our
conservatory or the mountain conservatory it
just happened that way, I’m talking a little quickly now
2000 I had to move to Magnitogorsk
because I had to continue
studying at a music college and so
this city was chosen now in
Kazakhstan the fire of this
then
when I graduated from college I
immediately entered the Magnitogorsk Conservatory
as an accordionist and also continued to write
music.
At that time I
had no professional musical education, that is,
I was very self-taught from
my auditory experience,
I used my auditory experience, of course I listened to a
lot of music, took composition lessons,
and
so Now I’m already studying, I
decided to become and enroll in a
professional full-time higher
education in the 8th round of an internship in absentia in
Chelyabinsk, majoring in composition,
but how my
musical preferences developed, maybe it’s up to me to
tell you,
well, like all the
boys here in the 90s in the 90s when I
went to school,
thank God there were still
traditions that had not been lost, and even though
we said that America is
super America, it’s wonderful, everything, as
if it were popular, was not very welcomed, as if it
was forgotten, you can even
say, but we always celebrated May 9th and
always from childhood since I was a
teenager I always took part in various
events dedicated to this holiday,
well, that is, since
childhood I always really loved these
military songs written in the Soviet period,
something like this gradually developed
my vision my he
can say a few words how
the music comes stones or
this is very important
well in general, at
first, when I started writing music
as a student at a music college, I
tried more to somehow find it on the
instrument, that is, because it did
n’t come then, that is, I had to
look for some harmonies that
were to my liking and
found them
little by little, but then then, apparently,
she struggled a little with her hands and I just
realized that music, we are, as it were,
just its conductors, we
are essentially the authors, of course, but
co-authors, let’s say so, that is, it
comes and we already owe it, by virtue of
our labor, by the power of our own knowledge
acquired, that is, to constantly
improve and we must
participate in this process, that is,
present it in our best form in
which we can do this, and
then after a while I began to hear music
just everywhere when I fall asleep when I
miscalculated when I constantly think about
she, that is, wherever I am, I
hear her theme, at least there are whole
orchestral pieces, there are themes, and I
always try to write it down if I don’t have
the opportunity to somehow write it down with notes, I
always sing it into the recorder,
which I then decipher before
this pure intention is very important, so I
understood, I came to the conclusion that
you need to write music precisely by
thinking about the light, tuning into the light
energy, and Tchaikovsky also serves as an example for me in this,
because
Aragon
emphasized every day
that you need to work every day, every day,
depending no matter
if there is no inspiration,
I now try to follow his example,
that is, even if I
clearly want to compose or I don’t want to, I choose a
few hours a day when I sit down to
work and that’s how they really say
the appetite comes while eating such
inspiration comes, but of course there is also
such a creative impulse when you just
want to sit down and write down everything that
comes and
touch in a little more detail on the
important thing that each of the sounds that carry into our
world,
called music, can be called
an influence, and
sometimes it’s
not even the ones that cause inspiration Unfortunately, there is
such a word that
we are losing in the modern Russian
language,
but it is very important and it is precisely in this
connection that I wanted to ask about it for a reason,
but due to the fact that I already
listened to it on your channel and in particular
I really liked your epic sketch,
I I heard a lot of it
except that they heard it or firstly
firstly I,
but I always emphasize that I am not a
musician at all, I have no
musical education
at all and I am not an expert in the
field of music history,
musicology of something, but it is impossible to
bypass it at least because while
studying in our Soviet school I
received all this in music lessons and it just so
happened that our
music teacher was
such a person who inspired
attention to the topic of music, she was a very
beautiful lady, I would say
very feminine, I will not
develop this topic further
all the boys really liked
this skill, we loved going to music lessons,
everyone loved it in their own way, but I
liked everything, including not listening to
records
that were not in our home
fanaticism,
along the way, I remembered what was taught
in the form of the history of
classical music with such examples and
so on and so on. Then later, at
school, I was famous for such a
system of perception of the classics using
specific examples, and here everything was
in Russian classical music and in
world music, and
what I liked about this
work of yours, firstly, was the
clarity of expression of the concept, I
repeat again, in no non-
musical language. not musically
eternal to him with Greek, then
I really liked
what I heard as echoes of the
pillars of Russian classical music, I
heard something from Glinka,
something flashed by Musorsky
Tchaikovsky, simply because in the background he
is present with this
incredible harmony with
polyphonic sounds. this is my perception,
tell us about this work and in
connection with this
influence of the classics on you in every sense,
this is interesting, well, first of all, I want
to thank you for your kind words and such
an assessment and I want to say that
you know, professional education
in music does not mean that a
person can do it correctly evaluate with
your soul it all comes from the soul, that is,
from your soul and from your knowledge, of course, of
course, which you have a lot of,
even if you don’t have such an education,
your opinion is very valuable to me and
these kind words, but
I originally wrote it about this work
for the button accordion, an epic sketch, that is, I thought of it, I
think I’ll write something cosmic, I sat down and
began to feel for some cosmic
harmonies, and so it often happens that
you want one thing and something turns out in general,
just like that, by the will of
the universe, so to speak, more than this,
something turns out - something even more interesting,
I wanted it at the level of some kind of cosmic
consonances, but then I see a folk theme went,
but I think it’s okay to leave it, so it
turned out that I wrote it
for the election accordion, this play, that
is, I played it myself
when I wrote it in 2006, he played it at the
academic test at my
conservatory, they noted it, they said that
there was something present in this
really, and then
I
brought this piece for the subject of
instrumentation, that is, we had a subject
when we must, let’s say, written for
piano for button accordion, we must
orchestrate how - in the same way,
the teacher tells me that you have an
orchestral purely orchestral work,
orchestral thinking, pass this bird on to the
orchestra in, well, and he helped me, that is,
under his strict guidance there were some
small tips, I had his orchestra
oval for the folk orchestra somewhere in In
2007, just
then, I conducted at my
conservatory, that is, and it was, well,
not exactly a success, but very
lively responses from people, I heard a lot of
pleasant words, after that I
realized that I really need to describe
for the orchestra the
attacks and the composer influenced me,
of course, as you said, Glinka and
Rimsky-Korsakov
with his fabulous colorfulness 1 6 times before
what it costs
then
of course Borodin Musorgsky vodka Chekists
composers from the mighty bunch
Tchaikovsky, of course, and from foreign
I am most
close to bang on this from him as- then it all
started when I was still a student at a
music school, I heard from me
there were cassettes with a buff and at the same time
served as a golden ring, that is, I
also had Kadysheva standing next to me, well, like that one
I have and folk art Katya Kadysheva
is not just purely folk news
in a stylized way after all, I really liked the folk song;
another composer,
of course, I like Rachmaninov;
also our
Slavic, these are our Slavic roots
and something comes out that even it would seem that
sometimes you don’t listen to the work of
some composer, they say so they
live with you, it’s similar to this I like I did
n’t listen to him at all, for example, or
listened to very little then there is something like this that also happens,
I think it’s probably because we
connect with our souls, our
hearts, so to speak, to some
one source of ours, probably somehow
so
unconditional, without a doubt, and
when it comes to creativity in any
genre, but especially and of course, above
all music
and
poetry, I always remember
these
amazing,
accurate in their formulations and in conveying the
true occult satirical
meaning of the word in the poem Autumn of
Kalach Tolstoy, he was such a 19th
century poet, a meat esotericist, a cultist, a person
whose creativity has not yet been
properly studied and is not in demand, who has a
poem that that’s what it’s called
from the first line, even an artist, you
think that you are the creator of your creations, and
further in this poem
this whole process is described, which
can conditionally be called the right day, and
since music is closest to the
initial
vibrations with which our soul is saturated
as a physical finale, then before all
this affects her;
this very occult
mystical component is already beginning, which is
always there
and a person can think that he
played something here, something that instantly came to his ears
that he is the author, he is only
partly the author,
even the most brilliant people are
always this is recognized when it comes
to this.
As for Bach, for me he is an example of
such an
upper highest level of
contact with something
heavenly, as poets say,
from the
unclouded transfer of
factual information to the
world of people, and why is this also important
because Bach
I think like no another composer
has been studied for
mathematical accuracy by the people of the nod to his
works, and when they talk about
some fractal phenomena,
compositions, tobacco always comes first,
all his works are fractal with
incredible mathematical accuracy,
that here both the exact sciences and the sciences are as if
ephemeral, as if
lyrically, they are here completely coincide
and in this sense, the influence of Bach on all of
humanity over the centuries is
undeniable and including, by the way, the
so-called modern music of various
genres,
which
representatives of the so-called classic or
neoclassical treat with disdain,
which in my opinion is completely in vain,
all modern music, the most
absolutely fatal movements they
everyone is permeated through and through by the banking system,
so this is a separate topic for
conversation, but this is also a fact, and
when we, for example, sometimes
talk with my former colleagues,
I can name such people in this part of music
in Qatar, I also had to participate and
I watched, by the way, they serve as part of the creation of the
first official in the
Soviet Union of a rock club,
which at first was called a
modern music club, but very quickly began
to be called a club, we all
say it there, we played live and lead
always, my tank is always an arrow like an
invisible shadow,
sometimes lament about that
they come from
then I called this shadow the shadow of
Hamlet’s father here I have one more line with
the classics, so when we say bang,
it means structure, and this is
very important,
but I would also like to add, I
recently
came across your publication on the Internet, the
time of rock music, mainly in Ottawa, Stop
University, and specifically the time,
well, not everyone but almost all of the most
important projects like zeppelin years ago, it
was also a surprise for me
that if you look at this song in reverse,
which has 1 brass, it
turns out to be just a hymn to the forces of darkness,
literally from its lyrics
this song says absolutely clearly and by the way it’s not the only
such work
in his speech referred to the
publication on the portal of rooms there it is
still preserved
publication under we know the lesson infernal
and it’s not there that I’m not talking about the fact that I
somehow consider all rock music to be the
fiend of hell and everything else you The
Tavistock Institute quite rightly noted that
it turned a
newly emerged phenomenon based
by the way, no on out of nowhere,
some strange ephemeral
phenomenon, all rock music, it came
partly from folk music, there are
elements of Irish folk music,
Scandinavian music, there are certainly
rhythmic elements of jazz and
much more sing syncopation and other blues
spirituals
gas polls there is all this there is a question from a friend
how it was presented and what it
was all charged with, yes, with the help of modern
methods of influencing mass consciousness,
that’s the point and
it says the
widest field for research and we
know very well examples
but in general, a positive impact
on the same mass consciousness of
epic works in the genre of rock
music, this and
some works of the pink floyd group
is also a project through which
something was also brought into the mass
consciousness
and if you study the history of this entire group
individually and as a whole
there there is something to think about
change such another phenomenon in
this in this genre this is such a colossal
layer for serious practical
research on the topic of
using the genre to
influence minds and since it
was said in the text 2 2 there are
other examples of the same kind let’s do a
little work I mentioned the
Beatles
White Album, which
experienced the
most powerful influence of the already absolutely
purposeful and 300 new
systems that, as the
Beatles project became successful, developed there, after all, or
they put this people in a channel that they had long
felt, it was actually black magic
in music, the
revolution nine sounded there this composition, it
simply shatters the
harmonies in a person at the level of
some kind of spiritual comfort,
by the way, Yoko, I always have this
attitude too, you know, I
noticed that you always need to
analyze from the heart, but it
sounds like it’s usually before with the heart we
should feel but even just a
photograph of some performer or a name,
it’s enough to hear that I’m here or
everything is shrinking inside the cats rejects or
accepts although this person hasn’t even been
heard yet, hasn’t seen there, that is, it’s
interesting, and guess what, he even saw
just a photograph, what what - something went
wrong, something wasn’t right, and now it turns out that
John Lear had such a dark influence
on Vessil, in this sense I was a
little more lucky, I was
being formed as a person
at a time when the Beatles
were just not quite with me
with a certain influence from my
older brother who had his
own attitude to this music, he was
keen on it all, but in his own way,
who actually paved the way for me
into the world of guitar music without knowing it,
so
then by hook or by crook and by
left
side paths I am now It was no coincidence
that I used this word,
we got information
about all this and of course, and the Beatles there,
after 5 10 hands for some terrible
money, they got
magazines that sailors brought from the West,
I read all this avidly, by the way, I
also improved my English on this,
then it turned out that the American language
was incredibly interesting to me, I
knew a lot at the level of such an almost
expert, but the Beatles group, from what
was known then, I considered their
authorized biography, which was
written during their lifetime, and
I, too, when this lady appeared,
had a strange feeling that to John
someone was slipped on the side,
so that’s the name itself, and
near the
horse
it’s on the side, it’s a lateral one like Goering, like in
karate, there you go, you understand
what the name itself turned out to be,
and by the way, when I was already doing karate
and the Japanese taught us, I
really shook them out and
the correct pronunciation and meaning of what they were
doing there and when I heard this but
it was interesting
[music]
but especially since you knew all the Beatles songs
from what was published in the world I
knew everything by heart and knew all the guitar
parts
it was already there for me such a foundation,
she says that you are not a professional, this is
known, not every professional knows this
about the main thing, after all, it’s not the crust itself that is
some kind of main thing that you know, not that a
professional is my principle,
to get to the bottom of the matter, to look for the
fundamental beginning in any phenomenon
that I encounter my principle,
so here I went from the same thing, and I
must say the following: I knew not
only the Beatles songs by heart, I knew
a lot of Rolling Stones songs,
a few of them also sang and knew how to play, and
by the way, this is our Soviet time,
these small records have already appeared and there
were rolling stones there and
Angie and
other songs sounded so easy it was easy to take off
on a good occasion and
Life Jane there in general I liked it
I didn’t like the fact that they were yelling good
obscenities
sorry to become ranks and other things in this I
already felt an obvious catch then,
when I already found out how they were released
as some kind of
supposedly antithesis of the Beatles, well,
everything fell into place there,
just like with a certain
pleasure, I sang, I didn’t scream good, but for the
songs of the group Slate,
I sang only what I heard
a certain sense
where there was no sense it was not liked
categorical from did not drink
of course in the repertoire of our village
rock band
much was from the repertoire of
other groups as then it was supposed
to say ideas disappeared and that
means and
what Mrs. we even
managed to do something like that yes this
this Yes, this was something like that, it was
n’t at all probably, but the texts were of such an
advanced level
so everyone went through this
and something remained,
well, I would like to say about myself in this
regard too, for some reason I
had such a period, you know when in
my teenage years, before
the beatles, I was into them for a while,
but nothing more, that is, for
some reason I was
n’t drawn to heavy rock at all, that is, my soul immediately
rejected that heavy rock as soon as it did, that’s
when then I already realized that it’s all the
same, let’s say all these heavy
heavy metal and all these styles, they come
from the bottom, that is, to destroy a
person’s aura, then to structurize the soul, all
this goes, but at the same time, not everything is like that
one comb, yes, you can, as you
said, there are some examples among them, maybe
isolated ones that carry positivity, and
by the way, I also wanted to share with you,
but I took this opportunity to remember now, I do
n’t like rap at all, that is, these are the ones that are
street, that’s all I’m that Well,
my soul, actually, I’m against it, but
once I had a friend who was a
rapper, he was such an opel, nothing without there, without
swearing, without anything, that is, just like
these in the world to read and you, so to speak,
that you could listen to and
something... then somehow he and I had this idea
to do something like this on a divine
theme that he believe in love believe in
dreams like this and he composed a
recitative, well of course I
corrected something there somewhere according to the words
I composed with him music and by the way, I
have posted it called believe in love, this
is a rap, what a shame, it’s an absurd recitative
to say, and where it is said that
a lot of bright thoughts have been said, let’s say that
there, if you’re interested, you can listen to it,
in this sense, you can
sikom who claimed that there are no bad
genres there is a scientific implementation of them and we
can add, God forbid, even with a
demonic beginning yes yes the main thing is that
we invest if we invest pure
intention if we want to invest 3 at the same time
we are thinking about something high, well, it’s
unlikely that it’s bad to get something
like at a minimum, something simply trivial may turn out,
but nothing bad will happen
if a person does it with bright thoughts
and with a pure intention, I
think so, well, the goal is of course important, also for
what purpose, if a person
writes music for money, then nothing good
will happen there in the best case there will be some kind of 33rd
magnitude banality that will be
like chewing gum which is for everyone, that is,
this is in the best case, I think that
even if a person works as a
composer, for example, working with orders,
for example, or in general writes music, in principle, you
need to treat this equally,
don’t think about some kind of
financial result that will follow from
it, that is, think only as if it’s
just going, that’s exactly what I just
wanted to write, that is, and basically
when I write music I order it rarely,
well, not so often, let’s say it happens orders, but
mostly I write it just to
share with people, I just feel
that if I am this guide,
let’s say yes, then I have to share, I
can’t help but share, especially now I
write such opportunities in cows in the
cubis program, there are also those that
can already under loading, so to speak, the
sound is normal, not like before
some kind of media sounds of
orchestral instruments of a symphony
orchestra, for example, are now possible, plus
somewhere a live performance can be
organized,
just in this regard, I would like to
hear from you to
what extent
if this applies to you influenced by
modern electronic polyphony, how did
it influence you, do you use all
the possibilities that you have or are you
limited to something? Well, if you
mean like jean michel jarre, yes, I
mean everything, everything is connected with the
use of electronic instruments,
by the way, not only the keyboard now
there are all kinds of amazing things,
well here again
I want to say that depending on how it
will be used,
when I was in college, I tried a little
different genres in terms of
looking for different styles and somehow one day
I came across yes yes yes yes delving into Schoenberg
Well, of course, having listened to his works there, I
just did
n’t have any desire to write
either, but the system itself is like a
12-tone one, of course
I don’t think it’s divine, no matter how it was
done, that is, it was also
cleared with certain wholes for
certain purposes, split up, that is
it turns out that the tonality was removed, that is,
they knocked out the ground, they knocked out the harmony, that is, this is
so, but I then used it in
one or two works to
depict dark forces, for example, I
needed to depict dark forces, how
to depict them, but however, I depicted them in the background,
but always in mine
in any of my works, I have such a
bullfight, the light always wins, and it is my
duty to make sure that the light wins in the
end because
if I don’t do this, let’s say for
example, or if the composer doesn’t
do this, then it turns out that darkness wins, which
means we will drive people away
we program for the outcome of victory with darkness,
everything seems to be already working out, we will lead
people into the wrong place, this is a huge
responsibility for the composer, for
me personally, where do I lead people,
the example of Schellenberg is another topic, the
refraction of
personality through
specifics in his work, you
probably know that Zetkin
suffered a rather serious
test for psyche
flowers to visit
places where people were treated in a very
bad way,
this is what actually resulted in his
kind of protest,
I read a lot of his biographies, this is
what he went through and
all this I felt this I heard, the
guys from the West didn’t bring me Schoenberg’s records, I studied this as a
phenomenon associated with some kind of
destruction that was incomprehensible to me then
until I studied his biography and then
it
turned out to be his form of protest
against the
breakdown that occurred in him
when in his own life he
encountered these trials that
came to him through representatives of a
seemingly high culture
great names and
all sorts of others, and when he encountered
this,
he
was formed inside in protest against this and he
decided that
this happened, which means no other
culture can carry only
light, only harmony and everything else, he
went into this anti-existentialism,
in fact,
this is his tragedy on the other hand, of
course, it had a strong influence
on a huge part of the
Western musical scene of this very
party of that time,
and then when
certain strange processes began in the Soviet Union,
and as today we know very well, they were
just night things, they were initiated and
fueled the very structures
that should stand guard over the
spiritual and mental state of people,
not allowing the pernicious destructive
penetration into the environment of people of something
so dark and amid the notorious five
as ordinary and
[music]
people who were cramped in a
straitjacket in the Procrustean bed of
such a Soviet classical cordova the
party mainstream in music, as it was
all called then,
people very often followed the simplest path,
they did not want to follow the path of Shostakovich
or Prokofiev,
who were also honest with
this party program,
but they rose above it with their talent
and even
managed to slightly
mock everyone with these Ogurtsov me
is the notorious film
carnival night, come on, a rigant
beautiful way
to indicate my attitude to this,
I call out in one word Khrushchev’s soup on
Soviet literature and art in all
genres, to the great regret, this has
not yet been really said
about this pirate ska Khrushchev system the
planting of
such a primitive,
rudimentary even in many forms of
art and
causing protest among talented people and
for some this protest was expressed precisely
in the fact that people began to make a leap in this way, yes,
yes,
they found themselves in the Catholic channel, and then that the
enemy of the human race does not sleep, he is
always notices this and through the system
with someone else’s hands,
I don’t eat the West to warm it up, knowing that
they are playing for the long haul, that this will give rise to a
chain of consequences, that’s how a
specific
environment grew there from the
experimenters, as they were called then, the
base was all this, and
God forbid me to say they were not
talented and Sofya Gubaidulina Edison
Denisov and Martynov can call others they can
and of course schmincke
question friend where their talents were
skillfully
subtly directed to what then
avant-garde rock jazz degenerated in which there
is no actual music in
all cases more or less
the cacophony was requisitioned and I’m talking about this
no way so to speak a critic not
as a person who has something like that everything about
this because it’s
anti-Soviet yes I participated in all of this
and I also wrote about this in
that publication I read about the tonal
syndrome dykes this it was so cool
that Tatyana Didenko, a Moscow
musicologist
researcher, she just
rolled her eyes from what she
was listening to, it was prohibitive in
relation to everything,
this was, in general, an inferno, look for
it, it was such a virtual breakthrough from hell
that I had to participate and
I I observed all this both as a participant and as an
analyst, I observed what was happening for
me, it was a colossal lesson
in seeing all this and further because I
still had a healing streak in me, and
I also always had a vein after the
performance of the tonal syndrome,
so that it was after this
terrible thing that I came out with with a guitar and
sang country folk and this is always melody,
this is always meaning and this is always
saturating people with meaning, light, harmony with
everything else, that is, I returned people
to a state of integrity of harmony, this is my
experience, this is why I say this about those
musicians, some of them I knew inappropriately and
the fate of some of which, including, of course,
spanking, this is further proof of
how dangerous all this is, how fraught it is,
this is not just the destruction of something outside,
it is necessarily the destruction of oneself, and
here the more talented you are, the faster
reward will come to you, I
agree absolutely with you, but I’m not quite
on your question was answered about
electronic electronic instruments, and I
just wanted to return to this, but
what do you mean specifically, how much do
I just use
modern capabilities on these
instruments, well, firstly, until, since
already in the second half of the eighties, at the
end of one instrument called
yamaha dx7
gave such opportunities,
it was simply possible to
depict 10 symphony
orchestras on it, and having run it through
multi-channel sound recording, mixing,
mastering and everything else with the addition of
special effects that were specially
developed for this instrument, I was
between the tone block that was put in there,
this is this visit for this space, but he needs
to be ready, I gave examples of how
this all works, for example,
my friend at the time and now Igor Lenya,
whose music is on the astral channel
Onika, and I wanted to hear what you
have in this sense, what experience, well, in this
sense, me I’m attracted by the abundance of
timbres that can be obtained
from instruments, for example, take it
now in my cube, eat it with a
loaded mandolin, for example, it would
seem like just a mandolin, but there are
special effects that can be extracted
from this mandolin sound, that is,
well, just in ordinary life you won’t
hear this, and so in different instruments there are
also some specific, some kind of
cosmic sounds, I have a
work, by the way, it is also posted
on my VKontakte page, my
composer’s work is called transformation,
and that’s where I tried with the voices, so to
speak, and tanks impromptu which
I composed in half an hour, but somehow it
happened so that
in form it
worked out right away and in content, everything
seemed to be normal there, that’s
what attracted me to it, of course,
the tempo is very interesting, but it also
needs to be avoided play around, that is,
use them as if in a harmonious way
and include them, let’s say, if
I use some special effects,
for example, electronic music, then it’s
imperative that there is a live instrument
there, or a violinist or cello, there’s
just a part of strings, for example, yes, that’s
how it goes there is a quartet of strings there in the background,
that is, there must be something or a living
human voice, well, of course, you can
make a purely electronic composition, but then
everything needs to be harmonious
so that harmony reigns, and in general, in
principle, I am for harmony because even
Schoenberg before his departure for that light,
he still admitted that it was a mistake
of his 12-tone system and that this hole in
medicine was all in vain, that is, sooner
or later,
as experience and experience shows, my
teacher on tour systems says he
himself was an avant-garde artist, too, at one time, but
he says then
you return in harmony and you understand that
everything is just like this and basically all
the composers who play around
with this, of course, maybe not everyone, but
almost everyone who thinks who will not go into
inferno, so to speak, down, returns
to harmony after all
I for using
all these special effects very wisely,
which certainly create a lot of
bright images, you can create with them, you
can do a lot,
of course, here are two that mentioned Jean Michel
Jarre and
this is just another topic parallel to
what we are talking about in his work
very much a lot of things can be traced, of
course, its appearance in the world with
oxygen and oxy than it was a
supernova explosion, of course, and in one
can of conversations on the topic of music, I told
how I first heard it
and it so happened that
it was an experiment on radio Luxembourg in
Soviet times, it was for me at
least that was the main
radio station on which you could
listen without interference to the very music
that everyone gravitated towards
and there, by the way,
you could hear and yuraya hip ideas
disappeared and given McLean with his stunning
melodic ballads of the
highest level, my easily there is a lot
that can be heard run up seal for the first time
for me the Sagittarius in Longan sounded there,
this is such a piercing ballad with
such a description of the
specific situation of these unnecessary
extra people in the West, played in the
folk genre, all this sounded there
and when at night I almost fell asleep and suddenly
after the first sounds of this album I
woke up and I turned out to be someone else in
space and time, that’s exactly what I
remembered, nothing existed,
I was just inside this revelation and
then it turned out that there was the first
performance
of this music in general, Vasily
came across it so cool when I heard all this,
I would have been present at the premiere
before that, of course what was bull
and
Emerson law on the forehead
played
these from the exhibition below version it was 1
instrumental
everything was also amazing but this
was already an exit to another not that this is a different
sound space it was a
completely different technique of using a
very large number of instruments at the same time
including melotron and all this today can be
seen on video discs
from the album, he played
each instrument again, showing all
the instruments that participated in the
creation of this album, well, it’s true that for
this he needed other musicians
to make everything sound at the same time,
but despite the fact
that it was an
amazing powerful breakthrough,
there was a lot of harmonics melodic moves
that later became
quoted by us
in many places, then his equinox,
which of course no longer had such an
explosive effect, but something in it was
even more melodic, even more exquisitely
elegant, including the ending there with this
game with the noises of nature,
because then Zulu happened
this is definitely an inferno,
here again Cheshire Apollo
appeared, this American woman, in general,
implanted something like this into his head,
after which this
swear for her began, already in some kind of timbre
and in such sounds, God forbid, and
again It’s no coincidence that it was the
composition of the servants that almost always sounded,
for example, at Kashpirovsky’s mass hypnosis sessions, that’s
where he took it from,
by the way, I was able to at the same time when
all this was happening, I had
the opportunity to watch a
video of this American woman herself, Sanderson
Choratan, a weirdo on stage who arranged such
in the opening it was called, that is, it was not
called a show, even the opening happened,
this case produced a chain of
coincidences before
and
in this sense,
for me, jean michel jarre immediately
ceased to be interesting,
then I apologize for the tops, then the
pop music has already gone this magnetic
field this is such a
dance floor began
for I am at the top of a
serious complex
polyphonic multi-
component field of instrumental
music so far and with salads and this
version of pictures from the exhibition, I believe that
this version is still unsurpassed
and I recommend everyone to listen to this version to me the
pictures at an exhibition
pictures from the exhibition
I was lucky to have
this record in vinyl,
and it must be said right away, it’s not at all the same
as later, but two digital versions on a
CD, digitization led to a loss of
volume to such a loss that when I
listened to it, I just began to have a hard time
understanding vinyl, it gives these promenades of
sounds aber procession images and digital
has devoured everything,
so I advise you to
look for the opportunity to listen to this album
on vinyl,
you should listen to it, you
talked about it once, I remember
about this work,
yes, of course, I
would like to do more, probably we
’ll talk again now on the eve of the
great holiday, our water may be
on the frame in about the influence of
patriotic music on our people and
in general on the feat of the people
and the victory over fascism, that’s
what can be said here,
I believe that this feat is not just
some kind, but for example a brave deed of a
soldier before, that is, this
was already preceded in the soul and his work,
that is, a spiritual choice, that is, there may
be a split second, but it turns out that he
shifted his vibrations up, that is,
raised his vibrations and he was able to accomplish this
feat,
probably then, can I have a few words
from you, me
and the music of that time,
symphonic works of that time
first of all, shestak ovich with his
siege symphonies
much more in the form of symphonic
works
less often in the form of operas much less often and understandably
with the imagination when, to the greatest
regret, the nectar containers turned into
simply well,
where is it
undignified,
but
this is of course the liver, I cannot call
this
patriotic music I I always call
this the music of
victory and the music of salvation, this music did not
save and pulled people out and prepared them
for a feat and lived them for a feat, and many
drank these songs both before the battle and after the battle,
that is, this is more than patriotism in
this sense
and of course unconditionally this is an
influence from above,
well, in almost every work, in almost
every song, you can always hear something like that, something
high, transcendental, that
words can’t express it,
it breaks through, it pierces and
connects a person’s heart with something
incredibly inexplicably indescribably
high, this is one of the reasons one
of explanations for the
readiness of ordinary ordinary Soviet people, one
must understand that those who
participated in the Great Patriotic War,
despite the fact that a huge part of the
professional military were mowed down, because
these were people, to
put it mildly, with very weak military
training,
especially those who had already completed the war, these were
those who learned on the fly, this lieutenant and
who took short-term courses
there and
many of them did not even have time to complete them and
found themselves on the front line, I
know a lot of such cases, I
did microscopic plays on this topic at
our institute on this topic and
wrote the script and wrote the texts and
was a sound engineer or a lot of everything I
was doing there at the same time and I was
driven by this inner need and
some incredible strength, and where did
these words come from, which
were spoken by the heroes of my micro production,
come out to the microphone and tell their
life situations, I don’t know where
it came from, but it came together and
thanks to the participation of the main component
music,
of course, such things
such things come from above when it is
done sincerely, so I would like to
add a little, too, today I listened to a
military song on purpose, I think I’ll remember
what my favorite song is, I
listened to a little song and re-listened and
realized that this is exactly 1 favorite, it’s not there because
cranes, yes, that’s what the
dark-skinned woman is and each song touches you
in its own way and each one says wet
eyes if you are about to really
feel all this as it was, what
people experienced and
I realized that there are some specific
songs like this that I have to
say directly here I just don’t have this one,
but by the way, I really like the
artillery song, it’s so
uplifting, I even imagined how
it was like you
just really now, such songs are
very necessary, very necessary, and I would like to take
this opportunity, maybe you could tell
about the
fate of your ancestors I can
also hear a few of yours, if I can give you
a few words now,
I took part in the war about two
great-grandfathers, I know for sure that they
took part 3 unfortunately,
the Nazis didn’t even manage to
fight with them, well, I’d like to
tell you, I wrote it down for myself too now
just to
say in general,
my great-grandfather Ivan Dmitry Stepanov,
he went through three wars, what I want to
say is that how much
fortitude our people had, that three wars, that’s
how with God’s help he went through, that
is, he started on Khan he Khalkhin - in
the year thirty-nine, that is, it turns out
on the Mongolian Manchurian border,
then transferred to Finland in the same
year thirty-nine, and then he also served in the
Great Patriotic War as a private,
but
was wounded at the Kursk Oryol Bulge,
and was already there with serious
injuries. demobilized,
so
I asked one of my relatives, well,
that is, who knew this story, I take it,
but how interesting it is, how
strong his guardian angels are, how
divine protection is obtained, the
date the man went through three
wars, how
amazing is that, and she said that
for him,
his mother sewed the 90th psalm and a piece of paper
alive, alive to help, here is a form in my opinion
somewhere or some personal belongings, he
went through all three wars with this piece of paper with
prayer under and thank God he returned home,
he lived to be 84 years old, I still saw him at I found
my 2nd great-grandfather as a child and
he was a tanker and
commander of a tank platoon,
but unfortunately he died in the war, right
in 1945, he left in the winter, it
just so happened, and
what I want to say is just our people,
I think they are a great people in general, not
just the Russians, but in a broad sense,
Russian Soviet, all of our peoples
who participated in this
war
showed simply colossal feats, I think
the feat here, even from the history of my great-grandfather,
like one rifle for three, that is,
known as the guys who fled with one with
one rifle for three, that is,
of course,
and songs Of course, they were helped by the
songs that sounded
somewhere in the trenches, even at front-line
concerts, somewhere the performers went to concerts,
that is,
our soldiers always
received this support,
so to speak,
from these songs, it’s a huge thing in
fact, and Ani’s songs
elevate and
inspire to victory, that is,
but we all really need them, and now we
especially need patriotic songs, and
taking this opportunity, I would like to
say that I also have a couple of
patriotic songs dedicated to the
Great Patriotic War,
but you are
one of them, the memory of the war is dedicated to
the feat immortal regiments the
second name is our immortal regiments,
if you’re interested, I can tell you how I
wrote it, if it’s
appropriate now or I’ll say it later, so the second
song is called the fatherland, it’s dedicated
specifically to the historical truth that
the West is now stubbornly trying to hide from us,
that is,
our youth from ours people and
these songs, by the way, will be
posted tomorrow and on the channel it turns out
Astral Onika as I was told and
will be posted
in my VKontakte group, I
immediately want to say that after our
conversation the
continuation is peculiarly musical, I
will still put on this
symphonic work of yours,
which I found very interesting, an
epic sketch
that also concerns the
topic of
spirituality,
holiness, even
what happened in the souls and hearts of
people of that time,
yes, this is separate, this is a big topic, I
also have something to share,
that is, there are two examples, there are a lot of them, but
please also tell us about
yours,
well, tomorrow
the interview will be on the air layers of words Plato with whom we
touch on just these great topics
and I told him that in the history of
our family
it sounded in a
special way and my mother
ended up
in a concentration camp
for a while
for working on herself, tuberculosis,
I didn’t very often almost never
asked her about it, I knew what it
was, well, I knew that it was painful for her, well, of
course, she wasn’t going to tell me,
but once she asked, but still, how did the
riverbed survive in this? They were inhuman, and
she somehow quietly and calmly told me
songs, sang poems, read
because there was nothing to eat
so
this is the first
second
I like the letters of that time about which I
also already said something
for me, all the songs of those years are close,
but here is one that floats with a
dazzling
piercing light over the
villages that was sung then and is
still sung to this day, fortunately this is a holy war
this is not just a song, this is something
like a hymn and it is so permeated with
spirituality in its true sense, even in the religious sense, a
holy war is
worth a lot
and in this song there are words let
noble rage boil
like a wave with
these two words many still have to
think about rage properly
noble,
this is what we have when we have in one
precious ingot
the highest spiritual
truth, patriotic paella
and incredibly powerful music, why am
I still talking about this, well, first of all,
it’s
a pain in the ass for a song like this, it always
sounds, it should sound when
certain events are going on dedicated to
this topic,
but I also say this is why
in our family we also
love to sing and
there were times when we
had different
types of interactions in different ways in our family, not everything
was perfect, not everything was smooth, to put it
mildly, there were friction
roughnesses when we were going to
sat down in the kitchen in our old apartment in an
old two-story house, we had wine in the summer,
everything was forgotten, everything disappeared, and then
songs sounded, the
windows were opened, our apartment was on the
second floor and the whole yard came to
listen to our family concerts, it was great, and
somehow
I don’t remember such circumstances, but
I asked my father just with this song
what is it
about you and said that
all those who
fought
noted absolutely exactly before
this song appeared, it was one war,
that’s when this song thundered,
another war began,
that’s what my father told me and I didn’t say anything
many other people, without
saying a word, this does not mean that if
this song had not happened,
the war would have been
lost, as they say, this is not a game, war
is not a game,
uncle of colossal power, but this
tragedy became
optimistic for the Soviet country, there
might have been some other songs, but
this a fact is a fact recognized by many
historians,
many music grandfathers who studied the
influence of songs of that time on the course of
events and even on some phenomena on
the fronts, and this was studied by
everyone who notes that this particular song
became
like a
battle cry among the Scots that
cannot be ignored. the
battle cry that was sent down from above
and
when this song of people sounded, the last of the
whales
who could have had some doubts about the
chosen path in the intention to accomplish
a feat, they disappeared,
what is called the true
transformation of man,
in this sense, the song is a holy war
absolutely on a par with the church
chants of the most powerful level,
to put it mildly, no lower,
and we know that a huge number of
priests who, after the war, before
strand of became priests,
with some of them I had the good fortune
to communicate with people of that time with
the elderly, they told me about the same thing
about this song
and the last one
when after all I once asked
my mother how she even survived
that battle when the Germans surrounded them in the
Smolensk marshy places and began to
mow them down, she simply told me I prayed,
yes of course very
very such a story is touching,
your mother doesn’t have one in everyone’s life, I
think there is practically none
no matter who’s family was affected by the war, at
least if not directly, then some
close
cousins, maybe some
not so distant relatives, by
the way,
I would like to say that it is very
important to preserve the
historical truth and so that there is no
substitution of concepts right now exactly
in what terms of the substitution of concepts that this is
how we see the example of Ukraine until
literally 8 years have passed, it turns out from the age of 14 and
young people have grown up who do not even know that there was a
Great Patriotic War, that is,
they didn’t talk about it in schools, I
just saw a report from
our soldiers they ask a boy from
Ukraine, it’s on fire, do you know anything about the
Great Patriotic War, but it’s just that they didn’t
tell us anything about it at all in schools, so this is a sore subject,
probably, we can talk about
it
next
time, we are not dimensionless, although it is
very interesting and pleasant to talk
Of course, I
have said many times that what is
happening now there on this long-suffering
land will
end in the
victory of the world,
of course this is absolutely clear, the question with
a friend is
when what to do with the youth in Russia
or in other states
that have become independent,
where they also very often don’t know anything,
that’s when in Russia
they interview
young people and when they start
talking about some kind of utter blizzard, they
simply admit that we don’t know anything,
it’s a shame that we need to discuss what
will happen in the territory
where blood is often shed; a
separate conversation
will reveal a lot more, so on this example will be based
on this example they will take how to
act when everything is completed
will it be like this in Russia
this is an extremely important question this is an
incredibly important question and if anyone
thinks that we
will sort this out somehow later some people wo
n’t have
this I know for sure and
probably concluding today’s
wonderful conversation, I want to say that
today’s youth need to be addressed with
low didactic
edifications with such cliched
calls for something, they should be
addressed in a modern language
without
accepting the endorsement of this without falsehood, without
all these Hollywood troubles,
using that same amazing
light the mysticism
that the rich songs and music of that
period all penetrate into this
meta-genetic space where suddenly
some mechanisms are turned on
and something happens in the souls and
then in the papers, and in this sense we still have
something to do and to what to strive for so
I think that there is a lot of work ahead and
for this it is not necessary to prepare the pasta as it should be
done every day when
circumstances allow, and I can also
say a few words for the viewers of
your channel, of course, of course I
would like to
friends, it’s just that Yuryevich talked a lot about this
of course, but I would also like to
say that choose the music that you
listen to, this is very important, it is as important
as what you eat, what you watch, that is,
you are what you listen to, and even if
some kind of destructive music is playing somewhere in the background,
this is not it means that it doesn’t
affect you, that is, it always has
some kind of influence, and in
this regard, I would just
like, well, not to urge, but
just something like this,
maybe in the form of some kind of
recommendation, it’s also that
choose foliage according to your heart and based
on classical examples,
because modern music, of course,
also has
worthy examples to listen to,
but not so numerous, unfortunately, so
I would also like to say
that
we need to remember that
for our descendants, these are the
songs
that
will lift their spirit of
childhood. I recently saw such a
picture once about walking in the park
near the monument to the rear of the front in Magnitogorsk and
saw how a
parade rehearsal was going on, in my opinion, such a
world event, so the little
kids from the
kindergarten came, brought a group from the
kindergarten and they laid one carnation
literally on the slabs with the names of the
fallen soldiers and you know it’s
so piercing, it’s just touched
that now it’s still being reborn and
thank God that the memory
continues now and we must pass this on
directly from a very young age
to children and to all people in general, so
choose good music that will be
to your heart which will bring good light
and after which you will feel
calm and peaceful I
wish everyone good happiness and light in the heart I
certainly join these words and
wish all the friends of our channel all the
friends of your channels of communication with people and with
humanity all the brightest
good things and good health to everyone and, if
possible, prosperity and probably see you again
just conversations on important topics of
course all the best happy
combination happy goodbye
[music]
[
music] [music]
[applause]
[music]
and
a
[music]
she
[music]