[music]
good evening good evening it’s
very nice to talk today in such a
relaxed atmosphere at the same time
quite creative, judging by the
wonderful musical instrument in the
background,
so today we see our debut, we see a
conversation on a variety of topics,
I’m speaking today in a somewhat
unusual place for I plan to ask
questions
and I hope we will get 10 only
interesting to the participants of
today’s conversation but also to those who
will watch this recording I
hope
so question 1 and the completely natural
world knows the name of Velika Akbar as an
outstanding 5 T-shirts with a worldwide reputation
as a person with a
very serious background behind him musical education
achievements in the field of composition
musical author of many very
interesting works, including
for orchestra and many others, so I
think that everyone will be very interested in
learning about a lot of great music
when they ask me how I started
playing music, I don’t have to
answer that I started studying then
when I was still in the womb of my mother
because both my mother and father were
musicians and my father was an
orchestra conductor and at the same time my father
was a philosopher and my mother was a choir conductor and a
pianist and at the same time
played the accordion very well and in our house
naturally there was a lot musical
instruments also until the very
last moment before birth, my mother
worked very intensely, musical
activity did not stop, and therefore
I, as a mother, tells when I was still
in her womb, when she began her
activity conducting, listening to music,
I played football a lot, that’s
all of them time they joked that probably a
football player would appear there and what’s
interesting is that when I was born and they had already been
discharged from the hospital and the house was sitting at the
table and when they celebrated my birth, my
mother said that I really want my
daughter to become a good musician,
composer and pianist
there and I I was in PM for a few more days,
I was like, well, I believe that we choose
our family, mom and dad, and either ourselves or a
song with our spiritual mentors, and
apparently I chose my mom and my dad so that it
would be easier for me to realize the
musical inclinations that were
given to me it started like this and then the
process began already on the physical plane
of getting acquainted with the musical worlds,
naturally I reacted very vividly to
everything that happened there and when I still
couldn’t walk, talk and so on air
pro fleeces and mom and dad realized that I was
very, very sinus music and they brought
the piano that was at home
closer to my crib,
that is, when I began to just make a
movement to get to my feet, get up,
I was already touching the keyboard and even
before I started walking, I already knew how to
walk with my fingers on the keyboard, I roughly
knew where to press to a
certain sound came out, they weren’t given books,
I put them on that Peter and there was something there
depicting birds somewhere, somewhere a bag of
dogs and so on, that is, I somehow translated my children’s
world
into music and then a
very interesting phenomenon happened which, as I
later understand, basically changed my
perception of the world and music; it of lawn
shaped my view of music and the world of
sounds, but here’s the thing, since I very
sensitively perceived all sounds
and only musical ones, but when they
died down, I began to hear
a different sound and it was an
all-consuming sound, it was as if behind
all the other sounds it was always there
and I felt it and I already began to wait for the
moment when everything would calm down
and then I began with pleasure and
admiration to hear this
fantastic sound that could not be
called a sound and at the same time, a
feeling appeared: I was a very small child, I had
n’t been there for one and a half to two years, and
this is what I called returning home,
internal, that is, I didn’t know what
returning home was because I had my
own home, I had a family, and this
feeling of returning I didn’t know, but my spirit
told me that this was a return home and I
surrendered to this at the same time as this
sound without a sound and when I grew up
after so many years I read the expression of the
voice of silence for the first time when I
encountered this is what I
listened to as a child and perhaps this for me
was the most important musical thing in my
life, everything else is taught to him drop by drop
and the acquired
knowledge was acquired thanks to the
wonderful teacher that I had
and the path of a
child with abilities with absolute
pitch was passed who could play absolutely everything by
ear and listened heard everything sounds
not only musical but also
some kind of mechanical note, that is, in the 20s I already
knew musical notation and
I could write it and so on, and this path
became just like a stormy river,
making its way with itself,
I never did anything special for this.
constantly improvised and established
works of compositions I already had
four steel years and
for the orchestra I began to write somewhere
at the age of 9 and so on and so forth on a
heap of this and God's rivers of such stones
that always fly away on the way about
which stones which could have influenced in a
very serious way, you can say that
this influence was in such and such a period of
creativity, or that Keanu did not think about
musical authorities, but of course, well,
first of all, it’s a
matter of business. at the age of two I was given
a record player and for 20 years I already
had a decent collection of
good musical recordings of very
good important composers and
performers, and I was very
careful, as my mother says, at that
young age I took it out myself,
neatly left it, wiped it off, then
put it in the same envelope and so on,
everything was perfect and clean, and
these rituals of listening to music
influenced me very much, firstly, I then
met Prokofiev, there was a picture of a
record of a giant of 9 years old, there was a story about Prokofiev’s
childhood
and at the same time there was a
lot of music besides Prokofiev’s music.
coven and so on until the summer, what he
ate and it made a very, very
big
impression on me, I just
literally memorized all the lyrics again, all
this music,
what I listened to, I came up right away, played it,
picked it out
by ear, and also naturally it was
bang, Tchaikovsky’s
dad constantly fed me with music
Soviet composers Shchedrin
and so on, that is, a very interesting
collection of music was collected, it was like that
later and I think I was greatly
influenced by the creativity of the artistic
creativity of world masters, it greatly
influenced my patronymic musical
we had naturally and artistic 2
loops and children's encyclopedias
literature art and so on, I was very
keenly interested in all this and it
nourished me very much because since childhood I have had
very developed
cinematic thinking in the images of
paint and
geometry, the fact is that I saw music, all the
sounds from childhood in color, that is,
every note, every sound for me it was
amazing color and depending on the
change of octave, all the tones changed the same
color and so on, and when I told mom and
dad about this, look, such a
stunning purple, they all
said that it was white and black, but I
realized that they are only two colors everywhere
I stopped being, he says, but I was alive, I
absorbed it all into myself and all the pictures
sounded like music to me and that’s why I
constantly put something on St. Petersburg and I
look at the batting and I improvised and
it really tortured me, then
my first teacher appeared back and I
was Vera Borisovna Lipovetskaya, this is an
amazing person, there weren’t five,
there weren’t
75, she addressed me to you, she was an
amazing woman, so old and
trained, amazingly well-read,
intellectuals, very kind, and here are the first
lessons, in addition to lessons with mom and dad, and
of course, mostly with my mother, because my
mother no longer studied, naturally,
naturally speaking, because my father was
more busy, then when I was two
years old, my mother and father developed so that I
defeated my father from time to time, and
Vera Borisovna
fell to me in such an amazing form,
musically, all the subtleties that I could
take five years and I am still very
grateful she opened such a very
fabulous, very rich beautiful world of
music and then we were teachers
Alexander Berlin Felix Jan two Yanovsky
very good pianists to everyone I am
still very grateful but Yuri you know
that musical creativity musical
journeys never end
everyday every minute
learning and progress on this path
so I am learning I
always feel like a small child do it I
take the opportunity and represent
in this sense if you like Latvia about SEO
extensive musical achievements
talents authorities
can you tell me about some the types of
connections are exactly sweet,
yes it was a very interesting event for the fact
that when I was a first-year student at the
conservatory, I need to note here that
I had bronchial asthma, it was with
me since childhood and it was formed,
as I understand it, on the basis of a very strong
dose of antibiotics that I when I was
very tiny they did something in my
body that broke
and I was
admitted to the
Moscow Conservatory without exams, I had to
stay in the city where my mother lived, she didn’t
send us to Moscow and we were then in
Tashkent, we lived and studied and before of this at the
Uspensky school at the age of eleven,
so when I was at my first class after the
conservatory,
I received an invitation to the All-Union
Brady Musicology Conference and the
only thing that came to me was from
Uzbekistan and from Tashkent from our
conservatory, this offer, until
recently I didn’t know what to talk about I was
in the fact that the topic was vast, I was given a
completely free field of activity,
I had no restrictions,
I wanted to find peace, be it a topic that
would be truly unusual, that is, I didn’t
want something so ordinary
musicological that we read, even if
these are very valuable books and, in the end,
in a dream I came up with the topic of harmony of the world,
that is, the title came to me and the
content jumped up and began
to write down and, in principle, all the thesis
came to me just like that in a dream and I composed
my speech on a huge exhilaration and
went to Riga to the rivers, of course, at this
conference, first of all, everyone was present the
rector of all the conservatories of the All-Union
conference, very important,
there were professors and there were some
representatives of the Soviet Union
republics, and that is, there were few of us students, so to
speak, but more were, so
to speak, the academic staff of the
conservatory from all over the Soviet Union
and something amazing happened there, the thing is that
how this speech appeared to me
in a dream and it was not so much the result
of me regarding such intellectual
creativity, but rather the spark that was
given
directly, I am so grateful for this, that
is, it pushed me to look for the
saying and some at
least some remnants something about something about that
secret thing that composers talked about sometimes and in
passing, a famous
composer from Mozart to Hindemith,
or maybe I found it, I found it before
I got this from above, let’s say so, well,
really, it came like that, I
didn’t even think about it, although I heard a voice without
God, but I had not studied this topic in this
way and I really had
real inspiration, I just
spoke so enthusiastically that at the end all
the listeners stood up and began to clap, I was
so surprised, I am a little girl, a
first-year student, but I know that the speech
was not mine I didn’t hold there and didn’t
Milovich, but there he said something about that and
at that moment after my speech, the
heads of the
musicological bouquet at the conservatory began to approach
several rectors from several capitals,
but since I had already refused the Moscow one
for reasons precisely physical and
automatically I didn’t even think about
moving somewhere else, but I began to
receive very serious offers and
at this conference there was that moment I
ran out,
he was then the Minister of Culture of Latvia,
which is interesting, I even forgot about this detail,
I recently forgot about the big business of my
mother and I was also offered to move to the
conservatory in the Riga Conservatory
for additional training, I had to
refuse all the offers, but I
had amazing moments connected
precisely with visiting Riga and the
conservatory hall and the Riga
Cathedral, there was also such a special
event for me and the first time I
I touched the sea,
I never went to the sea,
again because of my particular
illness, I was not allowed not to be angry,
and the first time I touched the sea
it was the Baltic Sea, this is also
unforgettably
interesting for me, all the more interesting is what
happened in creativity how did this
happen interaction now
ginger turkey our board
I think that those who listen to this
interview will be interested at least in general
terms to know about your achievements
that take place in music maybe the
most important milestones say well if
we talk about the main milestones I think we can
to name a few of my symphonic
works,
the main one that I would like to emphasize
is perhaps the piano concerto,
Chirkov’s love cycle, love, it is on
YouTube and it was also written by me in a very
interesting way with a big wave of inspiration and, to be
honest, in a very short time, that
is, physically it might even be difficult to
write it for such a long time time and and he
describes the movements of the universe and at
the same time a series of articles of different stages of
love that a living being can have,
that is, from birth and, so to
speak, the first manifestation of love for mom
and dad to parents and expanding love
that simply covers the entire
universe, that is, this one here
evolution and the cycle of love the concert consists of
3 parts and it is also unusual in that I
introduced into the second part and the voice a
human voice without which it
was impossible to do without these two sopranos
there is a soprano a second soprano a
second work that could
mark this world's first
arrangement of concertos violin concerto
Vivaldi seasons on solo piano
it was included in the international catalog of sony
classics and also caused a very interesting
reaction from classical goods I did not
intentionally use
the score,
that is, I just absorbed it and
laid the railing inside myself, that is, I
could calmly take the clavier and
just play but I was
completely interested in this, I wanted to
carry out exactly this work inside my heart, this is
how I have this conciliarity
coming out on the piano, I started the most
difficult part from the difficult part and literally
played with my eyes closed because if I
open my eyes I will immediately begin to think how I
do this because the pizza was very
quick and very difficult, so
I didn’t ask myself this question and
was successfully able to reproduce it all, and then all the
other parts were already added, so
bak arian toy
bang in the eastern way since I, in principle,
came to Turkey with from a country not
eastern, although I lived for some time in
Uzbekistan and
was born with some interesting image in
Kazakhstan, but still I received a non-
eastern education, Soviet and
Western, let’s say so, when I
came to Turkey, did this really affect me? there is
no aroma here, there is no aura,
some very interesting rhythms, well, that’s
all that blows from the east and I did
n’t think about this project at all, it
appeared by itself, that is, at some point I heard
one rhythm and it completely
connected in my head with one of
Bach's preludes and that same evening I decided that
this would be a project and for this project I
attracted very famous musicians and
classical Western musicians to the
Turkish court and it turned out to be a very interesting
work the classical world of Turkey
was divided into two parts, one part
extolled me and the other part of me I don’t know
how to say trampled
maybe it’s possible to become in the softest
way and it was very interesting
to watch it was such a kind of
litmus test for society for
bias in
general for a lot of things it was very
interesting and it
may also be perhaps
Aivazovsky’s project we, together with one of the
largest publishing houses in Turkey, created a
digital project
around the world for several hundred,
maybe 450 paintings by Aivazovsky,
which were translated into a digital
version
and animated by us, that is, animated, but
very subtly, so to speak, the goal
was beyond not not something then there
to make it move, but just to
revive some moments, and this was a musical
journey to the era when Aivazovsky lived
and the countries through which he traveled,
this project also had a lot of
warm responses, there were many concerts in
Russia, the House of Music, only in the House of Music,
I think four the concert was in Moscow,
maybe I’ll be lucky and come to
Brega, I
continue to work every day and night, I
also work on film music, which I
really like, but it’s very difficult for me to
please with scripts because the
script must win my heart and there are
very few such scripts, so I
write little film music there is such a thing as
world recognition,
when did this happen in your life,
was it already when you arrived in Turkey or did
it start even
after the Tsar’s reign, and I honestly don’t know
what’s going on, but somehow it happened that I
never paid attention to such things,
not at school not when I
was awarded
prizes that were important in principle, and so on, and from the
Union of Composers of the Soviet Union, and
so on, I just worked, I didn’t even
work, I never work on
music, I work really very
intensively and hard, so to speak, if you
look from the outside, but I’m so I
adore all this, I
can’t say that I’m working, I’m
just living, and when a person lives by something,
he doesn’t look or pay attention to what’s
happening around him and so on, that
is, he just does what he loves very much
and because I love sharing with
people, so I’m happy
if at a concert I can even make angry people
there, I’ll give a concert for this
one person and if his heart
becomes somehow better and brighter after
communicating with this musical person, I’m
happy, but what about the
rest? things, I really don’t even
know, an unexpected question with some special
meaning because you can’t escape the facts,
there is the fact that
you are present in the photograph among, I would
say, very outstanding personalities of
this world, but how did this happen, only
because you worked hard, you
performed all over the world and so then you
know for me it is still a mystery
they wrote to me when it was a year and a half
ago that a survey was carried out in Europe
and America and in general the majority of
votes indicated that Angelica Akbar is the
better composer of the year I don’t remember that year,
I think it’s 2019 for the last year and a half year,
all the concepts and the passage of time, the sense of
time has shifted a little, and for
me it was unexpected, not to say that
we are releasing a book that is the most important for 5
years in particular and also for the region, that is, me
and among the figures of the year where I was placed on 1
page with Putin
or in America and there are
21 figures, so to speak, and
I don’t know what century the Dalai Lama is, yes,
as you said, there are really a lot of
figures when I saw myself there, I was
really surprised, what am I
doing there, dear comrades, well, thank you,
of course, Trump was there and so further and
so on, I still don’t know
how it happened by accident meters,
nevertheless, all the same, this was preceded
not only by your fruitful work
in the sense of creativity 0 cm and in the sense of
performing art that you conveyed to the
whole world, so you can
tell about your impressions of the
performance in which in some interesting
places, let's say so, for example, it
was very interesting to perform in the Louvre, there
was a very interesting international organization,
I was invited there with a concert and I
performed Russian works there,
Russian classics by Turkish composers and
my own works, which
at that time were based more on, so
to speak, Turkish and oriental rhythms
there were and there were very very interesting
reviews and very fruitful,
such a meeting took place with many
effective artists in many countries,
I met amazing musicians
with some of whom I still
communicate
and work together with, and
Aivazovsky’s concert in
New York was interesting. and in Los Angeles these two
concerts with a project about his evil that they
were very very interesting because
that is, the American public was
presented with a
Russian artist with a half-Soviet
half-Turkish kind of
unusual affiliation, a pianist, a
composer with a very advanced
technical technique of
animation of paintings and very truly,
all this was done from time immemorial
and made by the Turks, that is, it was
all so unusual and the
music later when I was talking with
people and I felt it and heard it
simply, that is, it just means a lot
to the depths of the soul and for them it was
something very unusual indeed, and
now one concert comes to me to
spam a concert in Yerevan, I must not
forget that I have probably been living for more than 30 years,
and of course I left the Soviet Union
when it had not yet collapsed,
that is, for more than 30 years I have been living in Turkey, I
am a citizen of Turkey and we really
wanted to take this concert with
Aivazovsky’s project to Yerevan
and it was so difficult, given
this situation in Turkey and Armenia,
this is truly an amazing
example of cultural diplomacy
through art,
Yuri, I cannot describe the
warmth and delight that
reigned during this concerts after it,
that is, it was me on stage and we
represented Turkey,
all this was made by the Turks and the music was made by the
makers that diego zoo, which I
composed
for 45 minutes, this music, it fragmentarily
used the grace that was heard
in certain countries and wazovski and to me
naturally it was Turkish music,
naturally it was Armenian too,
and despite all this people, I don’t
know how long they clapped, they didn’t
want to let go, they called our whole team
on stage and then they just
hugged each other with tears in their eyes,
that is, it was amazing and I am this An
example was given in Turkey,
well, you can say in the president’s office,
that is, not in his office, but so to speak,
people who are included in the office of the
president of Turkey and they also listened to this with tears
in their eyes
and because it
was really very interesting and
at the head of all this was Russia and
Russian the artist Aivazovsky here we need
to make a small note for some of our listeners,
not everyone, unfortunately,
knows the history of the great Russian
art, which raised all the national gifts within itself,
after all, he was an Aivazian, and of
course for something, that is, he was wounded and
then another small very important
point,
yes that’s why we so insistently
wanted to carry out this project and you know
what’s interesting, it was very difficult, it wasn’t
just somehow physically, that is, just
getting
Zhenya’s address for this concept, I officially personally
submitted an application first for permission from the
Ministry of Culture of Armenia and I was
refused officially because
I am a citizen of Turkey, then I submitted an
appeal to the Ministry of Foreign Affairs and
they did not refuse, and only when I found one
woman with an amazing idea, her father is an
artist, a member of the Union of Artists and Revan
and before the Soviet Union, I explained
the situation, she liked the project so much,
we communicated very closely for six months
busy day and night and she persuaded
everyone and then everyone is grateful to her that it
all happened and we were advised very very persistently to do this
concert in Yerevan by the
Russian ambassador to Turkey who,
unfortunately, take as you remember the
tragic death, we had
amazing warm relations and with such
a tragedy it all ended, but thank
him, may the kingdom of heaven be upon him and,
in general, thanks to him and his advice,
this important event also happened now
our dear beams to me and I know that
you have a special relationship with music and
artistic creativity 1
absolutely wonderful representative of the
Lithuanian
creative jeunesse and we are talking about
service I had a very unusual
acquaintance with this wonderful
artist with this wonderful spirit and
she was introduced to me
when I Čiurlionis had not even heard
anything yet, I then lived in Tashkent and somehow
in one vision saw herself in some
very unusual place she was not on
earth it was some other
space or another planet the feeling
that it was another planet some
other world and there were some creatures
that were very soft flying over some kind of then
over something similar to the sea,
someone was sitting on the shore, someone was flying above
it, there were amazing soft pastel
colors and I will feel that I am
among them, I am also in this
state of flight, that is, I know this
place and suddenly I I hear amazing sounds
that, according to some
earthly association, maybe I can
call them organs, but it was not an organ in
the form of sounds that we are used to. I
looked in the direction where the sound was coming from and
saw right there on the shore a huge
building, you can simply say a
structure dazzlingly beautiful in harmony, I don’t know what it was and what
it looked like, but it was very beautiful, I
flew to it and I saw that
someone was sitting there and was really playing
this musical instrument, but it didn’t
look like keyboards or something that
we know, but simply
divine sounds emanated from there and the introduction
ended there and then about
six months later my grandmother went to
Kaunas where my cousin lived and she
invited me to visit, I was there for the first time
and I really didn’t know anything about it
I heard about Čiurlionis and
in no way and when I arrived right
in 1 case no there was a huge library I was
attracted by some kind of thick
something there I pulled out
and read Čiurlionis it was an album of his
works I was just in some kind of
I opened the place and
said I landed because I
saw what I was in a few
months ago,
that is, I saw this place, I
completely involuntarily immediately
looked at the corner of the picture because there
should have been this musical
instrument, that’s where the picture
ended, the only thing it
was missing there so this instrument I
was so shocked if I was tired of
thinking about that second when the monster lived
I saw this a few months ago he
saw the same thing many years ago we
were in the same place absolutely the
same place it was for
me, something amazing and
this event later, when I really
needed help in the physical
sense of health, she cured me in a special
way, that is, this simply miraculous
healing happened, which
was recorded by Soviet doctors and
then also by Turkish ones, that is, there was no trace of
this serious illness left in about
15 minutes
it happens and so we know that miracles do not
happen
beyond lefort knowledge this knowledge about the
supermundane worlds in other worlds distant or
distant this knowledge today is extremely
important in all senses in all aspects
not only in 5 glory in the sense in which there is a
lot we are talking, we know today, but also
the proposal for today’s conversation is that it is
extremely important to understand the highest
spiritualizing influence of the higher spheres,
if you like, in Austin and there,
these worlds of people who are capable of
perceiving this kind of influence, I think
that this is a topic in which
many other musicologists still
have to work hard on it
the offensive is little covered except for
certain personalities about whom we once
talked in different interviews
passionately discussed I mean, of course,
first of all, Cyril Scott symbol is an
amazing book on the side of
music and I believe
that this knowledge must be given to people
at a very early stage of their entry into the world of
knowledge at least in the primary grades of
school and then there is a lot of absurdity, misunderstandings,
misunderstandings, conflicts between
generations, they will simply disappear
because those who teach are not what they will
see in their wards in the future, you
will not yet hear what they died still
communicating with the Seneca and this is precious and
as soon as the topic is touched on, man is
lazy, here it helped, it’s time to move on to the
gray knowledge which can be called
spiritual knowledge,
knowledge that expands the scope of our
ideas about the subtle worlds about the bright
souls of the great spirits inhabiting both our
dense earth and the above-ground planes and about those
who have been trying for a very long time
to bring people knowledge about this type of
interaction, now I want to hear from you the
continuation of this story, if
you wish, I was wondering in connection with this knowledge,
how it came to me
to tell a little about that particular episode or just go
straight to this topic as a whole, for
a little I need to continue very much carried away by
my opinion, this is the stage of
pissing, an underestimated personality, so
you can say even in my homeland, but I
want to express my opinion, yes, of course the
fact is that after I became
acquainted with his work,
I naturally began to study him deeply
and looked around for
hours and days and for months in his pictures
and especially naturally in the picture
that connected us and
and at some point it happened that
all the medications that were not given
for asthma stopped working, that
is, there was a very strong peak and the fact
that it was helping me stopped helping
me too I just couldn’t breathe at all and
I realized that I needed to ask for help
and these were the creatures that were there among
whom I was, they were completely real
because Czurlionis met them and
captured them in his painting and I decided to
turn to them, I just turned within myself
I said I know that
you really can hear me now
please help me I’m very ill,
cure me and at that moment I
saw them around me
they immediately lifted me into some
other space
I saw everything white and I felt that
I was being separated into atoms,
that is, my consciousness remains,
as such, I am not in one of my bodies, I
simply am not here, when they separated me,
I was led through some kind of
at that moment I perceived it as
some kind of pipe
through something and then when I went through it
I was connected again, that is, it
lasted earthly time, but a maximum of 15
minutes, maybe 10, and I opened my eyes and
found myself sitting on a chair and I
felt that for the first time in a very
long time I was breathing, I could breathe without
coughing and I could inhale and exhale
freely and then when, that is, before me, it
was very, very bright of all this,
this whole sphere, they watched and did not care about
me, and when my mother took me to them,
they were simply amazed, wait, where are
the symptoms, where is all this that you
did
because nothing helped my mother
they don’t talk about it, the launcher was cured, all
kinds of tests were done, and so on and so forth, that
is, but there was simply
no trace left, so the allergen remained,
but it didn’t really bother me,
so I wasn’t partly allergic, I didn’t ask, I
just cared about breathing, they didn’t let me
breathe, so that is, it was such an episode,
but besides this, my whole life, well, just in
time for
in the book 2 lives, that is, I
basically had two lives, I was a little
girl who has been
studying something in music for two more years, and so on and so on.
things like that and I had some
other life hidden from everyone and from those
closest to me, and I believed that the main thing of my
life was this and this is the subtle but
all-pervading influence of communication
of inspiration, it was so
amazing that it was worth living for, one
might say, maybe be I won’t
talk very specifically about this, what and how it
was, well, it’s very intimate, well, at
least I can say that I’m just
happy that in this life I have, you can
say, the very birth of such teachers
who guide me through life and thanks to them a
huge
wasteland this is an extremely important topic and the
theme of a great book of dedication to the world of
interaction between people and the highest
teachers of humanity, this topic
deserves separate conversations,
as detailed as possible, and
in any case, when a person lives in this
way, feeling the presence of this highest in himself,
it also always leads a person to
specific lines of knowledge of
special types of interaction that we
call or a tradition
or some kind of teaching or
system is not called vacant
esoteric does not call spiritually
practical somehow the thing with you is
that since my dad was a
philosopher
from childhood, thanks to my dad,
I became acquainted purely physically with
various spiritual teachings of the world, dad
was very unusual, that is, within the
framework of the Soviet system he was completely
different, he studied and told students
more than was allowed in the Soviet system,
so from him I received
extensive knowledge and from
childhood it was very clear to me
that there was an open for all
side of all teachings and exists in secret,
and then I already understood what this is an
esoteric and exoteric
open and hidden system, and I
naturally found a place for myself in this
esoteric part of the teachings, which in
essence were united and I
knew very well the feelings and
lived and
In my childhood I had a lot of
introductions that simply
really believed me and explained to me
a lot of things that I, especially
in that Soviet era and mail
age, simply could not somehow
comprehend or read, and so on,
very interesting, kept notes in notebooks and
after many many years I read something,
read a lot in books and I
myself lived it at age in practice, I was
taught practically, I perceived
very sensitively people’s energy and everything
else, that is, all this was open and in this
way in what at that moment I
naturally met
Blavatsky and Zherekhov at some point,
that is, everything that Soviet times could reach me in
some way, even if it was
prohibited, but some particles reached
something from dad and at the same time, yes it
can be a separate topic, but dad was
simultaneously working on the topic of
studying extraterrestrial life, he was on
all sorts of commissions on this subject,
studying all these phenomena and so on, and even in
childhood I heard from him and
saw photographs, a diagram of a lot of
things that even now are
still hidden from the public that is,
I still had this side of my
training, but well, somehow it
happened that the spiritual line, the
occult esoteric and the line of
studying extraterrestrial life, and so on, they
somehow did
n’t fit together for me, and I didn’t try
to connect them, it was it was one thing and another,
apparently now the time has come for the earth
to connect it all together and because
everything is one, it’s just that in our consciousness something
can be differentiated, so on and so, as
for my stay in
Turkey, I met and found myself
in another area spiritual is Sufism and it
was extremely important, I was simply
sent an amazing
physical teacher, that is, for the first time I had an
amazing teacher on the physical plane
who spoke little but
conveyed a lot, directly broadcast and gave the
opportunity to simply go through the action of
what you need to learn and experience and
adopt was also an amazing period for
me in the sense of spiritual development and I am very
grateful for this period is also
very interesting just the moment Sufism
is actually the spiritual path of the few,
although many have the courage
to call themselves Sufis, today in our time
we know there are completely different types of
service of a single bismillah irrahman
Irrahim and what is the role of true Sufism in
Turkey today, it
may be so balok, yes, of course,
generally speaking, this topic
can really also be a separate conversation, but in
short, the
point is that true Sufism does not
advertise itself, it is all hidden and not a single
person will guess what is next to there
sits an
amazing power of power and depth of spirit
that represent true
Sufism, that is, I really can’t
convey this depth this night, you know
what I’m talking about and it has to be hidden
because most people,
unfortunately, are not yet
able to perceive the true truth
that it is possible to convey in words and in the
main postulates of
this teaching of this path and therefore these
people they do not invite anyone they
never advertise themselves they have ordinary
professions it could be a professor
of physics it could be a dentist it
could be a musician and no one in life would
think Tony like that but they carry out
such work, one person can
hold with his spirit, I feel some hands
hold it, that’s what it’s called,
some hold cities with their spirit,
and so on and so forth, that is, they
have a
truly amazing power and
this is reflected in very few places, generally speaking,
for example By the way, the
book that you recommended to me, I am very
grateful for it Arsen, this is a book
that describes truly
true Sufism and this is what I know,
what I am familiar with, if there are listeners and
viewers who have read this book, they will
also understand what we are talking about we say this is important and
I would also like to really advise
people to read this book, the fact that it gives an
idea of ​​what it is,
people know from hearsay and cannot even
imagine the scale of what
true Sufism is in general, big,
and here we come to a very important
topic than I, a neat,
correct, unobtrusive,
calm, thoughtful story, I
told people in simple language about the most
important thing that they have the truth in
Sufism that has been preserved in other spiritual
traditions, no matter what they
call themselves or what they are called, we are talking about the
transfer of not freely meta
the history of cosmic humanity in
simple language of the fact that, for example, in such a
great work Blavatsky’s doctrine is somehow not
conveyed in a rather complex
[music]
in outdated languages ​​that carry a
colossal amount of concrete
knowledge
interpreted in terms of the late 19th and
early 20th centuries and so unclaimed by the
general cultural
human tradition
now we are living through a time when it is
already a lot for
others to study the secret doctrine as
it was possible then when time
flowed differently when people had
enough time resources
to delve into this reading this time
has passed we live in time as
one philosopher said when there is no time and In this, it is more
important than ever that the ability to
convey this knowledge briefly and clearly, just
recently a book was published that
many Russian-speaking readers know under the
name Space Legends of the East,
this book was published in your edition in your
translation of Turkish and maybe a few
words about how you took on this book,
how this idea came and no less important, I
really wanted to hear how today
this knowledge is perceived in Turkey in the
country with a very specific way of thinking and
confessional and was sent with a secular
way of life, yes, this is a very important topic,
really thank you for this question,
it means many years ago when
the Soviet the union broke up, I was already in
Turkey and gradually began to be published,
literature that had
previously been banned, and so on, began to be published, and
some books began to be published that as
soon as my mother came out, I
sent a package here to Turkey,
that is, I was surprised to see that everything
that was prohibited gradually gradually
it began to come out, so to speak, and before
these books began to arrive and I
had no idea at all about the existence of
this book, cosmic legends of the east,
I was instructed to very clearly
make a translation of this book, it was
so clearly shown to me, that is, it
was simply a task given by
the spiritual form, but I didn’t know
how and what would happen, and then this book
just came out of the premise, the story is a little
longer than that, I don’t want to delay the wrong
thing, so I’ll talk about
it very briefly
and and since it was, in principle, that’s how it
felt a lot also, that is, all the
knowledge that needs to be conveyed to
modern man in brief and was
given there in that little book that fell into my
hands, I translated it and it was published, I
think 15 years ago, and it created an
amazing
sensation then, people were just eager and bought and
read and so on further, and then they didn’t understand
that I translated it, they knew me as a pianist
and composer, and there in very small
print it was written in general who did what there
and they just didn’t understand and only the
descendant and many years have passed so it’s
you
and what’s your connection the fact that people
really know me in the window is
that I am a composer and pianist,
and I never really revealed my spiritual life, so to speak, to the
masses, in
principle, never part, and that
means this book came out and in general it
then gave up twice and ended
now Until recently, that
option was in some rare
stores and so on, and after
such a long time I was offered by
one very large, one might say the
largest publishing house in Turkey, its
owners offered to
write one book myself at a different price
on the subject of the sounds of music so on, by the way, she, too,
by the way, had almost
come to an end, and in our conversation we
started talking about that book, she hadn’t
heard of it, she already wanted to read it as
soon as she read it, she began to live with me and
will publish it, it must be
republished, as I understand it, he says in at that
time you did not find the owner of the rights, as it is
called copyright, and there
was no Internet and in general there were no
such conditions for someone somewhere out there to look for
their tastes, this
book was published just like that, but
now I decided to find the owner of the rights, I
searched for a whole month, and I finally
found the person, he was just very
surprised and glad that
this book was printed in Turkey, especially 2 times, and he told me it was a
scammer and which option did you translate as
this is this option and that there are several
options
I was pleased that, as far as I heard at
that time, this book, as soon as
all this literature began to be handed over, someone
there changed the name, someone there
shortened it somewhere, even a patent under the name
Nicholas Roerich, it was published somehow
part and so on and so forth, that
is, I hope you translated the original,
well, I hope I said how many pages there are,
so many, well, probably the original
was not a small, not thin book, but I
asked, just in case, to send me the
original version,
I asked, do you think it’s worth it to me
directly word for word or there section to
section compare domed it happens judging because
there is so much page it means the
original I calmed down with him he calmed down
Yuri they send me a book to check it is
very important what I’m going to tell me now
they send me a book just to look it became
normal
I’ll give them the go-ahead and tomorrow they will
print and and and while checking the text I
suddenly came across some word thank
God
I stumbled upon it I think
to God it’s somehow strange for him it was translated
very unclear in general the meaning of this phrase
let me look in in the original,
I start looking for the pdf in the original, this
sentence was not there, this
sentence was not there, just like this paragraph was not there, just like
this part of this section was not there, all that was left was to
try to compare
and find them very quickly and you know, I sat in front of
the screen and cried, it was something I
I realized that a real terrorist attack was committed against this book,
that is, I’m not joking and I’m not exaggerating, it’s
just a quiet horror like that,
which
people read with delight, it’s not even a fragment, it’s something that’s about
to be mixed into the mud and then,
still twisted, pulled out of there
all the most important points concerning
today's present day were removed, that is,
this book was published then, but for the future it
was supposed to create this chain
of consciousness, so to speak, perception of
reality, and they tried to
remove it from there, and in the present
version, in the original it was written how the
dark ones act and it was written also, it’s the
distortion of the literature of knowledge
of disinformation and so on, that is, it
was done so skillfully,
not just not what it’s
called in Russian, sorry, not too lazy,
I just read this section with such wide open
eyes
where they weren’t too lazy, it’s just
something this is real sabotage, I called
the owner and told her you know
the original is completely different from
what you went through and know that the original
always includes a lot of things that in
Turkey may not be liked by the
leadership, not by the religious community, not by the
scientific community,
that is, it can be very annoying
very much to many you are sure that you will
print you say yes I take
responsibility for myself they didn’t say beg
him read it before you read because
it can really be risky
she years I completely trust you and the book
will come out as you give it to me and
it came out now I I receive a lot of
letters, the book literally came out probably
not even 2 weeks ago, another two weeks
just haven’t passed, people I know write to me with delight, people
I don’t know, and
it was written by one woman from Holland,
Angelika, my life has changed, it
can no longer be the same, like a palm this is
such a small example of what
is happening and I am waiting, so to speak, for
further dissemination of what
will happen both in certain circles and in Turkey,
which, so to speak, will be the moment of
all this is very important and I didn’t really
want the Russian publishing
circles if any of these
people to hear today's conversation so that
they think about this topic because I
can 100 percent confirm what I am expressing and in the late
eighties I had the opportunity to
read that version, I also observed
what happened to the text of these books and
what organizations, to put it carefully,
put themselves on the side of the light ardently
asserting their affection and
brotherhood and than the rest how they
took part in this sabotage, most
likely I hope that they deliberately did not do it in the
same way as certain
sabotages were accepted and the address to the book 2
of life, we also know that there were
attempts to make specific additions,
distortions, this only speaks of one
thing is that such
sources of knowledge are always
under the close attention of the
shadow side of our world and
this factor cannot be underestimated;
knowledge has reached the hearts of people,
I think that we still have everything ahead of
you, there is a lot ahead of you, and there are
bright prospects ahead only in this sense,
including
musical creativity, and I hope that
it will continue and I hope for
some types of joint creativity, that
too It’s very nice someday,
maybe we’ll talk about this, but now, yes,
now you already
believe that we’ve been talking for quite a long time and
time has flown by very unnoticed,
this means that we were on a good
light wave, so what remains is
to send wishes from you to the friends of our
channel and this will send back and
I hope that there will be spoken words of
many wishes and Turkey, which has become
native to you,
from which I am now connected by
spiritual and creative ties,
and by the way, I must definitely
say that in
a few days March Snow will be released in Turkey in the
form of a single disc and by the way, I’ll
tell you in advance that it will be released on your
birthday, July 23,
I performed your work and
Turkey really liked it even now
or before the disc was published and I
thank you very much both for your
musical and for your spiritual vast
creativity and activity and I really
thank all the wonderful viewers of the
friends’ channel because I feel
such an amazing warm
family that, in principle, this warmth
warms the whole world on the entire
planet and it’s very nice and a very
powerful bright
line and I’m happy that I’m among
you all and I’m very I am glad that Turkey is
also taking part in this on this
bright path in this bright work and
I hope our communication
and your co-creation will continue,
we will strengthen the light of our
wonderful planet, as they say in the
healing lines of well-known military circles,
may the world be well, may the world
be well,
but on On this wonderful note today
we end the conversation, thank you very much,
but very clearly, I heard for myself for the first time
many facts in your unusual life and I am
grateful to you for this, I also
thank you very much,
happy slap
[music]