[music]
Friends to
all A cheerful start to the week
secrets with Yuri Lear part 6 and we
dedicated it to Soviet music and called
it Where the Motherland begins Where the Motherland begins
Where the Motherland begins
good good chorus I like
Greetings
Good evening
that today I want to talk right away about the
phenomenon of Soviet music with reference to
your memory, there can be some
specific
Composers to highlight And it is precisely its
uniqueness that we went
forward We were born 100 bright past
Although I don’t want to talk about the past
This is an independent future for us and we
are the successor of those sown
seeds which, among other things, You
embodied in your creativity creative
activity
But our conversation can be built on the
key Memories of the future
back the future
something like this
100 the future that we are creating today
remembering the past that
raised us with a gallon of a
certain start
Well, now the flight is normal
if today we
intend to talk about Soviet music,
then I would like first of all to talk about
music as such,
we did
not touch on
this topic so fundamentally. But I would
like to
start with this
and I hope further it will be clear why
because
music, everything connected with this
phenomenon in the life of mankind is
extremely important
for the formation of a person as an
individual and entire civilizations
once again agreed on a book that very
often mentioned the occult
influence of music, the author Cyril Scott
and emphasized that this book was born
under the direct
influence of one of the highest teachers of
humanity, Kuthumi Launceing.
That is, it was not just
some kind of exercise in literature on the topic of
music who could
afford Syria livestock music expert
composer
musician But this was a
kind of message to our world
no less significant and in practical
application something may be more
significant than the notorious Secret Doctrine
than books of occult esoteric
content from light sources
and
it just so happened
that
in Russian this book appeared
relatively recently about this author, the
Russian-speaking Russian reader learned
before the publication of this book,
the truth is that the
pirated title is
the life of an initiate, the author is a student,
those who read this book,
you think there will be people like that and admired
the content of this book, especially the second
part, you
know what the author was chilling Scott, they are a
certain student,
by the way, he published three books connected by a
single main character.
And I really hope to
live to see the time when this
three-volume set will be published
because it contains information of
lasting importance,
so
today I want to highlight the topic of music,
something like the
version that we had before secrets
I will try to reveal an open secret
for those who have finally deeply and seriously
studied the
topic of the pentasystem;
what I will now tell you will be clearly
understandable
and quite
in line with everything we talked about before
in relation to health,
nutrition systems and much more,
so the greatness of the pentasystem is also in this that
on this topic it gives us the
opportunity
not just to speculate,
but to give an accurate definition of
what music actually is
in the sense of the formation of human spirituality.
So music is acoustic vibrations
perceived by us through the organ of hearing; in a
functional understanding,
this includes not just the auricle
and there are some
elements
including the eardrum, there is a lot
more, this includes the entire
acoustic signal processing system, this is
what the
organ of hearing is in relation to the
natural philosophy of China and Tibet,
while the ear itself, along with its
economy,
according to the pentasystem,
is a
reflective function of the kidneys,
look carefully, everything is there
further, the
kidneys, at the level of
their energy-functional significance
for our microcosm,
are,
if you like, such a generalissimo
commander-in-chief
directing the construction of the strongest,
strongest structures in our body.
That is, these are bones, these are teeth, tooth enamel,
and so on,
that is, our backbone is
the basis of our
musculoskeletal system, the musculoskeletal
system is responsible for the liver and the kidneys are responsible for the support on
which the
entire living structure of a person is built,
the very
functions of which are the hearing system.
From here it is
completely clear that everything connected with
acoustic vibrations
captured by our system of
perception and processing of acoustic
information is
strictly
connected
with how the
human skeletal system is formed.
Further
Everyone who is serious deeply and
truly studied the occult on
esoteric anatomy and human physiology
with the help of many publications on this topic
and
Manly Hall
who mentioned it many times wrote on this
topic and
we will see the dollar
who, also under the direct influence of teacher
Hilarion,
wrote an esoteric book for beginners
there about the same said
That is, this is all a really working
applied science about man,
all these sciences follow
that, first of all, the
bone structure of a person is influenced by the
acoustic world, the world of sounds,
and in relation to the occult esoteric
anatomy, which speaks about the connection between the dense
structures of a person with his subtle bodies,
it is clearly said that what we
We call the
spirituality of a person its
basis as a person who thinks like a
person about a
sufficiently
enlightened being who has in himself a portrait of the
creator of
dense physics of a person - these are the bones.
Well, then it’s quite
clear how this
interacts with each other,
because the accuracy of a person is what is
manifested during the tests sent to a
person during life It is precisely
connected with the concept of spirituality, spirit,
perseverance, this is how
things are with music.
Please tell me the operations are
you continuing and you can ask me a question,
I have already said enough so that
people who are interested in this and who
have worked through the system will immediately understand everything and
remember, but for those who are not I worked
to get them interested in this topic I
outlined the most basic part of this
question I
will remind you again about this once
when we are talking when there is an interview
my task is not to give a serious,
thorough lecture on the topic my task is to
identify the topic so that it is clear
what is what connected I think I said
enough
thank you our meeting takes place
on the eve of April 12, Soviet
Cosmonautics Day And right away I want to ask a
question to such prominent representatives of
Soviet music as Shostakovich
Rachmaninov Vysotsky
Arkhipovsky with whom you were personally
acquainted I have a feeling that they
were all connected with a certain cosmic
knowledge and Based on this knowledge, they
created their musical masterpieces
Dastakovich is quite a Soviet
composer
Rachmaninov Sorry, this is a man who never
became Soviet Although the influence of
Rachmaninov on Soviet music is
undeniable, the school of Rachmaninov is certainly
present
performers and composers of
the piano
Rachmaninov is certainly a
completely faithful component,
by the way having gone through many
decisions in his life, he was the same
philanthropist who helped a
Russian
aviator named Sikorsky,
who more Judging appeared
outside of Russia,
the creation of the first helicopters,
Sikorsky, a man whose name is
closely connected with the
serious real aviation of Russia, that’s
how everything is connected,
you yourself aviation from which the
Space
industry of the Soviet Union grew to a large extent,
as for Lesh Arkhipovsky. But I
hope that I was not just with him, not
just an acquaintance, we are very cordial friends. I
hope that he is still alive, that he creates,
pleases the people of our planet with
his great creativity, behind which he
also there is a mystic who told
about Vysotsky. But this is simply
flesh and blood of everything Soviet
with everything that
was and in many ways still remains in this Soviet legacy, both in a
positive sense and in a negative one,
which must be taken into account in
order not to bring this negative future
as for knowledge
again I return
to the topic of the
occult significance of music and the
invisible connection of
natural forces of the
so-called elementals.
Now we can calmly
talk about cosmic influences. I have refused many times. Further, it is absolutely necessary today to talk about a
certain
series of incarnations through which a person goes through,
incarnating at different times in different
eras to perform or other tasks
and we know that this is so, at least as far as
Vysotsky is concerned. But I
never had any doubts that the
past incarnation was some very
large, very significant And when I
just started studying his work and, by
the will of fate, I came to a circle of people
who were just have been and are engaged in
the study of
talented individuals who have shown themselves in
our time, well, let’s say over the last 50 years
and their
past incarnations are likely, and so
in life in the fate of Vysotsky, the theme of France is
absolutely not accidental,
absolutely, and those who
consider it necessary for themselves to
contact the information that I will
now
present, they will be convinced of the fact that it is so
Look at the portrait of Moliere
And who was Moliere
playwright
theater figure of a certain
time in France Look at this
portrait
you want to say the
similarity
is more than obvious And if you consider
that
in the time of Moliere
theater was always a
compositional phenomenon where
music was equal and the performance and the show and the
high elements of drama and the Heritage of the
Elinsky tradition, this was visible, this is
the tragedy of the epic, much more,
in its own way, set out in the French
Theater tradition, and here is the life of the story of an
actor, a
poet, an
almost accomplished playwright
and the Great Spirit of Vysotsky,
I will outline this topic and then
compare More biographical stories there are a
lot of these two great personalities and such examples. I have already
mentioned this kind of phenomena that can be
clearly traced as a single
creative line not just through the
Centuries, they are given simply through the cultures of the
era.
Only the author of the rose of the world
is worthy of his
metabiography being studied thoroughly
since Hellenic times
Virgil
and then the author of a
very interesting work that
became the core of medieval culture
with his picture of the
rising at the end of his work to the
cosmic phenomenon The Rose of the World
This is how his book ends
And the last Daniil Andreev the
through thread it reads Just
in an elementary way
today I could voice
this kind of comparative categories in
music
like there was a time when I studied the
biography of Rachmaninov
and Mussorgsky and some other
representatives of
that Russian musical tradition, Great
in fact.
But today we are not talking about that, we are
talking about the foundation
on which it grew,
was
partly recreated and partly
invented, even so one might say
Soviet music in all its genres and,
of course,
absolutely everything related to the
applied meaning of music
In the sense of
supporting the national
Soviet spirit, then it was
inseparable from patriotism,
unconditional in all its forms of
support for
that very Soviet spirit in a person.
Only thanks to which the
Great Victory was achieved
Well, this is not very legally correct
framed, but humanity received a
colossal respite
and at what cost we know
the question:
What role did music play in all this? The
main one,
maybe not the main one, but colossal
colossal,
and here
if we remember the history of the creation of the
actual
battle anthem of
Soviet times,
Arise, a huge country,
how it was all born in what conditions
What behind all this is
Jim in this kind of combat, in fact,
the song is read in it and Russian classics,
that very Soviet musical tradition that had already taken place by
this time,
which like this in combat conditions under
inhuman tests has always
shown a
huge number of examples of this and of course enthusiasm
on which Soviet society was built to a huge extent, which
had a colossal
potential that
never developed itself, as we see
today,
in all this, the huge merit of course is
music and those
names that stand behind the concept of Soviet
music, and
I am now deliberately not mentioning the names
Although there were many besides Shostakovich
-many, many more Well, we’d
probably spend an hour today just
mentioning specific composers and
giving two or three examples of their great
creations;
this is, after all, a lot of national music,
which always brought something of its own into the bed of the great river
called Soviet music.
And this its own, after all,
was intertwined with something else in this
sense, there was both national
music and Meta national nobody
International namely meta
when at composer forums at
events where a
huge number of representatives of the
musical creative intelligentsia gathered,
people not only came to
eat caviar in the
Kremlin palace, but they they communicated They
exchanged the most intimate things that they
brought there
from the bottom of their hearts with all their souls
This is
the phenomenon of Soviet music,
not just multinational But
metanational, that’s what I call it and it’s
easy for me to talk about it because
Fate brought together
representatives of this music in Soviet times
70 the
eighties, these were
mainly, of course, representatives of
the musical creative intelligentsia of
Latvia, something I already talked about when
I talked about my trip to Georgia
in the very
cultural delegation of the Ministry of
Culture of the Latvian SSR of which I
was then a part
and
among those who were
especially memorable to me then
who
then managed to honestly communicate and make
friends and through whom I later
became acquainted with representatives of
Latvian Latvian
national music in many of its genres,
but the directorvis boxing is a music expert
is a scientist who was
then an
expert in Soviet music, of course
Latvian national music, I
remember him with great warmth
because it such a
high cultural rank
and communicating with him was a pleasure, he
was a very simple person and
we joked. It’s quite interesting
sometimes
that very television competition of
which I became a laureate in
1979
versus what can you do? He gave me an
acquaintance with a composer whom I
knew well before this competition thanks to
records which were in my collection, I
really loved the music, he was a
very interesting, very
tasty composer, he had such a very
interesting romantic beginning,
along with elements of
Latvian national music with
elements of modern Western music,
it was truly
high creativity, it remained so in
me and remained My perception There At
this competition I met the
respected Mr. Pals and others
who later became such stars in
our local skyscraper
after a while
When the entire Soviet Union was amazed by the
Latvian synthesizer music of the
Zodiac group Yes, I didn’t listen, I also became
one of the people I personally know and in
2011 it so happened that the guitarist
of his group
He received from me my guitar
signed by Dominic Miller, just a minute,
this is the guitarist who played the main
guitar parts in Sting’s best songs and
also talked about his friendship with Dominic Miller,
but this is
not Soviet music, it’s just a chain
there was a period when
when the Soviet Union was experiencing the
beginning of a shake-up,
when one after another the general secretaries left for another world,
and when in Latvia
for the first time
officially,
not like in St. Petersburg, where a
rock club existed underground and
constants were driven
into Latvia, an
officially recognized one
registered under the Central Committee was organized in Riga lksm Latvian
club of modern music which a
year later still changed its name to Riga
which I had to create even for two
months to pull the burden of the president
then thank God I quit working on
other issues
and
It was 83 84 at the same time I was
involved
in a group that played the
style very conditionally very
conditionally one can call it avant-garde rock
for those who know what it is, what it is,
Nasmana or Magma or
other groups that in the West were
at first our beacons and then suddenly
discovered that they were behind us.
And Chris Cutler,
who represented the
Independent Records label when
he came to us and he listened to us, his
jaw just dropped,
and
by the way, then he said something very interesting.
Now I know where the legs
of this music come from. In general, Chris Kotler is very
important to
Russian classical music
and knew a lot of Soviet music and what
sounded in his phrase Now I know where the
legs of this music come from, but I did
n’t understand then, now I think I understand,
so then I had to deal with a
lot of
organizational issues when
the post of president no longer bothered me,
so I went to Moscow And
there in Moscow I brought them there
recordings of our very interesting Latvian
national rock bands such as yellow
postmen to do
means such groups as
emrights
a number of other songs recorded by the
lead singer of one of the groups Eva occurators
are those who then in the late
eighties and early nineties we
simply became such national
heroes
and then
we had to take there is a lot on their shoulders so
that
firstly they can perform not
underground where there on the farm she is a
normal stage
and God only knows what
else it cost me the first gray
hairs on my beard pecked there
Yes and
Now if we talk about going back to theme of
the national
real powerful
serious strong and tasty music for
me the authority in this sense was
a man who recently passed away a
man whose songs are known throughout Latvia
at all festivals the songs of the latter at
least
the leader of the rock band
onion or bulbs
and an
extremely interesting original
talented a real composer, in the
full sense with a capital letter,
I could list many more
with whom life brought me together on the musical
front, if you like, but how I want to
end this
story of my acquaintance with these people is
that
when I
was in Moscow and met in an apartment
with Artemy Troitsky with Tema
in his apartment, we played all these
tape reels with these
authors with these underground guys,
then we talked with him about the topics of Western
music. For me at that time, Trinity It
was a
Light who was published for a very long time
in various youth magazines of Youth,
the same age as me I was engrossed in his publications,
so
one day, when I arrived,
I just brought that same reel with
yellow postmen, which I was
delighted with, simply delighted, we will touch on
my favorite topic, this is American country
music, I do
n’t really remember
what we talked about in this regard, but one way
or another otherwise, for some reason,
we compared that music to
Russian folk
country music, this is American folk music,
this is real
American rock music, this is not
American music,
this is Inferno’s breakthrough
into American territory from the British
Isles and I made a serious
publication about this with an analysis of this topic, but
folk music America is country, this is
Folk, the
name itself is the
most interesting way
we found, at least I found it. He
confirmed
quotes from Russian folk music from
folk songs that are simply read in
American country music, I’m
not even talking about the American anthem,
which is just a Russian folk
song.
with American words, if you like,
but I’m talking about this precisely
because, as it seems to me, I’m not
musical, I don’t have a classical
musical education,
no one has any academic education, but I’ve
studied this whole topic a lot and seriously, I
can’t say that in my understanding,
first of all, in Russian classical music
But at least at the beginning of the 19th century, and even more
so in the era of the Great Group of other
romanticists, then
all kinds of experimenters, including Scriabin and many other
authors of some springs, the
maximum number of folk
sounds
and the clearest example in this sense
from the creative side for me is
Glinka, first of all
and the story of his life This is the story of the
Great spiritual feat that
all Russian composers of the period of
real Russian classicism accomplished,
starting with Glinka, read his biography,
you will understand how it was for him to
include elements of Russian folk music in his great works,
how he got it
from the fifth column for this, how just now they said
liberals are not liberals about liberals
and everyone else Tyutchev and others
wrote not in the eye, but read it in the eye You ca
n’t say more precisely and nothing has changed during this time,
so
moving on to the topic or returning to the
topic of Soviet music
I believe that
this is the
deepest everything penetrating the fund to the
mental
penetration of the human spirit through
it, the soul, the formation of a new type of
person, the future Soviet person,
this is Russian classical music
multiplied by the
jewelry filigree work of Soviet
cultures of real traders.
I don’t want to say that in this sense there
were no mistakes, there were no misunderstandings,
to put it mildly, there were no like 30 a year of excesses of
something else,
dizziness from successes and other things,
but all this is not good,
with careful deep study,
this is all the most
sophisticated, subtle influence of the
same special one who always craps,
including in this way, very often with the
wrong hands,
always
preferably in
some way advice from
some
supervisory organizations
and so on and so forth and so on, and here I’m not
trying to somehow overload the
Soviet system of liturgy as they
said then, censorship and everything else, guys.
I experienced all this on my own skin
because organizing a rock concert means going through
all the authorities for approval with all
the officials who gave birth immeasurably,
so I know what I’m talking about and then
when a lot became possible, like these
then comrades With very interesting
surnames that we were
forbidden to include in the concert program
certain compositions of Western
rock groups Something else like them at the
beginning The 90s here showed themselves
their true essence, the
subtlest
island one that is always crap.
Therefore, I’m not making anything up here, I’m
not offending anyone, I call a spade a spade,
and even among that censorship fraternity there were quite
sane people
with whom it was possible to agree on
something, they completely agreed
they asked us to temporarily
hold something back. And we invented our
own
Aesopian language, if for
some of our
disco we needed someone to play and
sing there, for example, Joe Cocker, we wrote a
song about those 100 about those 100
and rolled it out and
here he is, our wonderful
Soviet humor is real
resourceful and
I think that many people at that time
simply got a lot of pleasure in this way,
training their
wits and ingenuity
in this Aesopian field.
So,
everything was
different in the times of Soviet culture, Soviet music,
and in this different way. Yes, I can say Yes,
there were tragic
periods
There were
tragic
times in the lives of many of the
most talented major composers,
so
I used my own example
to describe how this happens, I could
also talk about very serious matters
that I also had to go through
in the eighties, many more
had to take risks
in the forties, the risk was different
just like 30
but
due to the fact
that
already by the second half of the thirties,
much had been achieved in the sense of
getting rid of the Black scum from many
other things that
were sown and introduced into Soviet
society by the
same
gentlemen,
this is a
historical fact. It has already become clear that the
Soviet Union took place
and it is necessary at full speed not only
to industrialize the country on the eve of
the war, which I doubted, but it is necessary to
build a
new foundation of spirituality, a new
stronghold of consciousness, self-awareness and
strengthening in people faith in the country and the
readiness to defend it,
and
in this sense, Despite all these
Oddities, roughness, tragedy,
much more in Soviet culture
in general and music in particular
we just concretely see how it all
was
and that Soviet music did not
stop during the war, it
acquired some forms
in which the people
behind the big puddle were jealous
and people there simply admired all this
and the Leningrad concert in besieged
Leningrad and many many other
people who showed themselves this way, they not
only received forgiveness there for something,
some kind of indulgences, they received
well-deserved titles and heroes of
socialist labor and the Stalin
Prize and much more, they became
simply heroes of the country, that’s
what Soviet music of that
period was,
Despite the fact that then they began
after all, All these
Oddities
that under the Incredibly wonderful
maize crop did
not weaken, but in fact intensified
and became more sophisticated
despite this
new stage. A new generation of
Soviet Composers took place; it formed,
if you like, such
Soviet music both in the classical genre
and in the pop genre that there was an archima,
this was a pop stage and it was a truly
popular Soviet stage in which both
music and words were equal -
this is what began to very quickly
devalue in the second half of
the eighties, turning simply into some kind of
monstrous nonsense of the early
90s And then into outright hellish
the Sabbath, when
everything was already everything, you can yell in
any voice,
and behind this everything is
just
a thundering, ringing, stinking emptiness
that captivates people, not heaven at all.
And much lower
and on this topic. I could also say a lot,
but returning to Soviet
music, Soviet stage with which I
was also familiar,
not least because my
early childhood was spent listening to
this very Soviet pop music
on equal terms with foreign music. When you can
listen to these collections of foreign music
on records and you can hear
the Beatles there, I had such a record, the day
they sang the song Girl it was written
a the next song was some
Karl year And the next one or
some singer from Yugoslavia
So
all this
wasn’t just there, it didn’t just disappear somewhere
along with the Soviet Union, she
moved into other forms of creativity
and
I gave an example of the zodiac today
Well, yes, compared to
Space and something else, a
synthesizer, etc. This is a somewhat
belated phenomenon
In the sense of the pop culture of
wide masks, but I want to say once again
what I said earlier about the first
real full-fledged synthesizer
on which Western gentlemen and
Moog and many others studied
how to do this What kind of schematic
solutions should be used? They learned from the
Soviet experience on the ANS synthesizer using
its sounds. They tried to find these
sounds of the Soviet synthesizer, which was
used in the
creation of musical tracks for
many films, and many films
were perceived by Soviet viewers and then foreign ones in a special way precisely thanks to
because what sounded there was Soviet
synthesizer electronic music for the first time
in the world,
that is, and here we have something to remember with
pride,
another thing is
that here I have to say and here
were all these
characters from
some old films
where is there life on Mars life on
Marse
What was the name of the main member of the cucumbers
in my opinion
Yes, here they are, these Khrushchev fosterlings,
they were the main ones,
such rabid prohibitors
without hesitation,
just to merge with the party line
with the main officials,
forgetting or not remembering a very
interesting phrase
that has been known since the 30s when
Stalin
was offered a student of
razdrabadan addressed to some cultural figures,
he said that I have no others
with these we will build a
new state
and here is our conversation today on this
topic.
This is evidence of what was built,
this is, firstly,
and secondly,
everything that a person has experienced in his life I’m
now talking to a musician about a creative
personality. It doesn’t go anywhere, it doesn’t
disappear,
it is imprinted in the soul
and through the subtlest
emanations of the soul it
is imprinted in the spirit
and the very physical structure of a person,
then there is only one thing left to
realize this
work of any genre, all genres
are good except the boring one and the one that
leads a person into
So, with the use of all types of
creative sound extraction,
I constantly emphasize that this is always what the
golden ratio is in. The
hypostasis of the golden ratio in music is
melody, the
root of the word melody,
this is
Neo melas,
the ancient Greek language, sweetness,
good sound, this is what melos is, melody is
why today the world is very I'm bored
in the world, it's simply unimaginable the huge
amount of what is called music to the
offensive littleness of the present
and euphony.
This will have to be created
using both ordinary classical
instruments that are familiar
and
instruments that have not yet been created,
it will be much cooler than synthesizers,
something else familiar to us,
partly a hint
at the fact that it wo
n’t just happen, it’s already being implemented, I
just know that
in certain
experimental musical circles with which
I
was familiar in the 80s and in the early 90s I maintained
relationships, these are people who invented and
invent new musical instruments
and I play for our incredible gang
called a tonal syndrome
I was also involved in inventing new
musical instruments, so I
had very creative, productive
interactions with them, and they did
n’t invent
something absolutely
unimaginable, a harp the size of a room,
for example,
and so on and so forth, etc., this is a
whole topic
for modern musicians,
so they were already developing then
modifications of an
instrument
that was invented in the twenties
and was
invented by a Russian
genius,
the instrument is
stunningly simple
in appearance, no keys, a
box, two curved wires stick out of it,
pass, and so on, and the inventor by his
last name is the term
he is known mainly and mainly
as the person who gave the world the
first synthesizer in general
using electromagnetic fields is a
different story, what else did he do?
It’s just a
detective novel with elements of
military intelligence, counterintelligence,
so
what I’m talking about is
already being developed in different
modifications that already look a little
different
and they no longer react to hand passes,
but to movement human souls
are not TCH, they don’t do that there, they don’t
do that kind of crap, we know they
do something,
it’s technology that
actually became available in the 80s,
neurolinks were invented then, and
Soviet mailboxes
were worked on, including on devices, the
technologies of which
were used and is used today
for such new musical
instruments and here in the future there are such
colossal possibilities.
But here’s just one nuance:
if you
can play a musical instrument
and think about something
else, high-
level professionals can afford this, even
play a
commercial concert and think
about something like that here it won’t
work out
here you have to be entirely in this space
that feels you through and through
and in this sense the audience must be
prepared accordingly
So
all this is very cool and this is flesh and
blood of
Soviet technologies these are people who carry within
themselves
Soviet music,
at least one person with whom I am on
VKontakte says that I came to all
this as a Soviet man.
I was formed by the Khachaturians.
This is a hint of where he comes from. This is
your medicine, that
our fate is, in a sense, predetermined in a good
way.
just that Soviet
music that was listened to by millions of
millions of dozens of people in the world and they
sowed certain seeds
that are now
giving their outcomes as
predetermination. I would rather call
it a certain mood
towards the implementation of some very important
mission, in a sense, a super mission to
go through everything. we went through being
involved by misunderstanding by
bewilderment by misunderstanding sometimes for
some other bad reason, but
having been drawn into the worst of this monstrous formation,
in the end we will be cleared of all this, stand up to our
full height, and say that
we have a different type of human relationship ahead of us
and all this is thanks to this attunement
with something
amazingly great that was expressed in
these vibrations in these compositions in these
constructions of sounds from these
harmonic combinations from these sometimes
fantastically unusual combinations of
something
euphonious turning into almost chaos
and reborn like a Phoenix in a new
euphony
these are composers Soviet people
with a tragic fate, sometimes
I can name the last name But I hope
those who deeply and seriously know
Soviet music and especially the
not very welcomed high
places understand me,
this is not only Schnittke, this is not only
Gubaidullina, this is not only Edison
Denisov
Martynov, these are many others who have
been talked about less this is
Eduard Artemyev, by the way, a question from
Lyosha, the first founder of
electronic music and plus
Andrei Tarkovsky started it Yes, but it
all started much earlier
I once spoke about my great
creative friendship from which even a song
was born then
the music of winter Russia Igor
laziness is also a
thoroughly Soviet man he
was born in Riga,
then he studied in Moscow Consi,
then he earned himself a crust of black
bread. I’m not kidding,
playing along with Pugacheva Laima Vaikule
to do all the layouts for all the instruments for them,
and here we fed them
and who at this time
are forced
to play like a labukh, sometimes by the way and right on
stage together with them he was there at the
keys, there are such archival footage of him
doing something like that, which made the
hair on many people’s heads stand on end,
how piercingly deep and amazing
Russian classical is
there, and Rachmaninov, and
Musorsky and everything else like that
alloy
and I have all his archival recordings, I
fortunately distilled them on a CD, I
even managed to publish this kind of music
already that year, yes it was And when it
happened, he still went to the West,
settled in America
and got the
ballet staged in theater in los angeles
stand with music stand the end of the
eighties
hungry cold at night where there was
some theater recording on a
tape recorder all this great music and
when this ballet took place in america the
audience stood there for 15 minutes applauding the
Russian musician
like
this, speaking of Soviet music, of course,
in his music there were all sorts of new
sounds that then
had just penetrated the Musical World and the West in general,
first of all, he got into his hands
an instrument that they were just
going crazy about, which was used to
record back through a
Yamaha dx7 with the possibility of expanding
all sorts of tone blocks through such an interesting box
that Brian gave and But this is the patriarch of
Western ambi music
Yes, but what difference does it make what someone
would give him if it was in him What is there
that would not be there
and
here he is an example of a
Soviet man, Soviet music and
such an impact on the West on his
perception
So what is now available in
comparison with this
magic pit at that time
is an
expansion by orders of magnitude of possibilities. I am
absolutely sure that
we are about to be witnesses and may
be participants in
various kinds of real
events they are a show
Well, enough with window dressing, the word show is window dressing
in this too sense, I really wanted it
to be
from that level below the plinth
on which
the word
drunk from the stage is located today.
I speak Russian.
This is, at best, so that it’s neutral,
ringing, empty, at best, and sometimes
it’s just something
like this with
some intention to braid everything that a
person has there in the form and live
so I really hope that this genre
will be revived and will be manifested not only in the
author's song,
which in many ways has preserved
this treasure,
this is the Holy Union of
melody and high poetry, this is not enough,
I would like something
that really
was a real folk
Soviet by the way, pop multinational
music with a high level of
musical poetry
in which real
talented Soviet poets were imprinted so that it would
not just come back, some even
higher level would rise
Well, the purification process began, many people gave it up,
well, that’s
the road Everyone chooses for themselves,
as they
said,
where it’s warmer where it’s more comfortable Tell me, are you
playing Soviet music now?
Well, I perform it, I don’t play it straight,
so an absolutely direct quote from a
refined performance, the thing is that,
firstly,
it’s not a little interesting to me. You’re
creating. Okay, I’m really creating. You’re creating,
took the grain from there and you
can hear something in yourself - then
from that time
make a hint that I heard,
we see some microquotes and then
I try to express first
my attitude towards the fact that I heard myself And how can the
program Maximum
make it heard and much
higher all this together
Therefore in some
musical compositions who
came into this world through me, I
usually say this,
sometimes you just hear the
whole
Nostalgia hears a friend, very
familiar, secondly,
today I don’t want to tease all sorts of
geese who
have Roosters and Roosters,
such
specific characters of which a
huge number have bred,
whose arms are short
but not It seems
and
there are
already examples of how this happens.
Therefore, it was not by chance that I
mentioned that very Aesopian period, it is
very useful,
you need to feel this line beyond which a
couple more notes will be too much and it
has to be
But what happens I hope
I hope the people
who write me
theirs
positive comments Well, that’s the very correct
perception of everything we’re talking about today
Yes, but you and I talked about the main thing and the
questions that were sent And we all
talk
when I first I apologize, it’s my
fault because you and I started
talking about the secret for us we
love the topic music
questions a little two questions The first one is from
Svetlana Hello Yuri Rubinovich
Vladislav I have a question about the music of the ideas of the
composer Alexander Scriabin,
please explain the meaning and significance of the mystery
that Scriabin dreamed of holding in
Tibet at the beginning of the 20th century to turn the
world order with its help if there is
anything in it - or similar to the
events taking place now, here’s a question,
but here, yes, here is a very
serious topic,
I’ll say this:
what the entire
intelligentsia of the late 19th century, early 20th century was like, I
spoke about this in some detail,
very impartially,
defining what this society
represented
under wise
supervision all of the same island as
conscious or unconscious
conductors of all this. And there was a
significant part of this intelligentsia and the upper class, who were pining for the
inability to realize themselves in something,
I refer everyone to the history of the decomposition of the
Russian intelligentsia and that very
upper level of this society in which there
was clearly nothing
there only it wasn’t cocaineism, it’s just
that, it’s an ordinary child’s pampering,
everything was available to everyone, they indulged in it,
it became spinning, invoking dark spirits. This is
what the life of these
pampered people was filled with, about whom
Chekhov probably wrote best in these
merciless dramatic
works of his, what they were,
watch the film, a slow play for a
mechanical piano it’s super And it’s even more
gentle,
so I don’t want to say that
Scriabin was one of those, but then it was very
very fashionable to have a
passion for all this
oriental mystical and so on, partly
partly under the influence of the creativity that still took
place
Dear Elena Petrovna Blavatsky
Russian whose there were numerous
connections in Russia, and it was also
thanks to these connections that the
Taisov Society of Russia was established,
which, under the wise guidance of
real teachers,
behaved correctly, unlike many
others, and therefore survived and survived
until the end of the eighties. When it
finally began to manifest itself in a
certain way,
I did not I’m aware of the
involvement in the
Scriabinas movement, I just don’t know,
but there are some
elements in his work, there are such hints of
something there, but maybe
this is the same thing that then
to the left above all these groups of
salons and other meetings of
different personalities,
however less, there were still worthy
representatives of different creative circles
and in my opinion I could be wrong here again.
I’m not an art critic, I’m not an art historian.
In my opinion, after all, a cleaner
space was just the musical
environment, despite all sorts of
experiments there that were already on the verge of classical
music, the sacred spring appeared then
and much more from which the decadent Western grew later,
but
as for His
desire to create something there in Tibet,
here
I read, at least
here there is a
manifestation of the special essence of Scriabin,
who was
blessed, if you like, with an
amazing ability
to fall into such a transcendental
state and see sounds
see the color of sounds not very clearly but
in some moments as brightly and
clearly as possible And by the way, this is his idea of
creating such an enchanting
event in which sound and light and light if only
together from here Scriabin
color music was
not invented in the 70s
in discotheques,
Scriabin was the first
who set this task at full scale
to create such a performance, sound, light and
color and combine it into a single musical extravaganza.
And the most important thing about this.
In my opinion,
being a man
of the people, no matter what origin,
he hoped, he dreamed that these
performances would be massive that
people will have access to this, regardless
of their social origin,
this is very important
and
whether his desire to arrange something on
you is connected with our time or
not
is difficult to say,
but
here you still need to understand the
complexity of the diversity
and
ambiguity of everything connected with
Tibet
Everything there is completely ambiguous,
and in this sense, I
advise many people who rush there to think
before they turn around Kailash
and then
feel strange.
There is an easier option for spiritual ascent. You do
n’t have to go anywhere, everything is always in you,
and for many people, in this sense, Tibet is just
deserved not a bright service at all,
but those who
have studied this topic well,
Tibet of various kinds, all these
organizations there with him
and around him,
the history of establishing contacts with the Nazis,
let them think about this topic. It’s
not so simple.
Thank you, and there’s one more question from
Victoria,
hello friends of the world,
and many have learned about
Verdeevsky’s construction only in recent years
Yuri, what could you reveal about the
use of such
a sound in the Soviet Union? Yours sincerely, Victoria Moscow
Gordeevsky’s construction was the
first time I came across this
topic closely in the fall of 83
during the first and last tours for
shortened anal syndrome composition to
Moscow
where we arranged a lot of things there
Forward was like that this could be
written as a separate story,
we met there with representatives of
alternative music of avant-garde music
with musicologists who served this
whole party group with Letov
we talked with the
father of another fly about whom is better
known in rock circles
and
it so happened that
I don’t remember the last name, but with you was
Tatyana, a musicologist who was
doing all this there
and brought us together with a lot of people, including
professional
composers, musicologists, and
researchers in this field,
and I took advantage of acquaintances there
through Igor Lenin
and met with those who worked on this
topic, so to
speak, as it was in my
perception,
this system was not welcomed in the
academic circles of music, it was
treated
as something
utter experimental But for
God's sake, if only they did not make too much noise
In a sense, this is the group who in
Moscow were engaged in this
direction,
they rather had
more creative connections, as I
remember it, with representatives of
Western movements in this musical
direction, do you remember that there were some Greeks who
came there
from Moldova, there were musicians who
worked in this vein, there was someone from
Estonia I don’t remember who
and
then everything Looked very exotic,
experimentally
attractive
and for some It was very important It
sold well
in the West to all kinds of independent
music labels, recording studios
It was, of course,
very underground,
as if
without the supervision of the corresponding ABVGDeyka,
but
then it turned out that there were their own
people
who supervised all this and, as it turned
out even later, helped so
that all this was still carried out. That
is, everything was very difficult in our time,
and even in some bodies
people were simply
smart, sane, but also creative,
so a lot worked out, a lot was
blessed and kept under
control
and how Then, when
the work of the Riga Club had truly
developed A
few years later, it only dawned on me
how they protected us from something that was
extremely undesirable and that could simply
lead to the disappearance of our
phenomenon,
civilian local
So not everywhere everything was like And then
prohibit them from being imprisoned there and everything else is the
same here.
If we talk about my perception of this
system, it’s
interesting and promising
and
I think that this type of sound production
has a definite place in future music, the
main condition here is what kind of
euphony,
like this
if we talk about
who we met there The most
offensive thing is I don’t remember these names,
even there are Tatyana’s ladies And Tatyana
Didenko, Didenko remembered us there,
she saw us everywhere and met various
interesting people.
Maybe she’s alive now. God bless you.
Yes, by the way, you already mentioned it more than once that year.
Yes, when you told us, but not this is what we are talking about
I just want to summarize our
meeting now, any phenomenon has two
aspects, it is benefit or harm. As I
understand it, it is Soviet music in its
scale, uniqueness, power, cosmism that has the
monumental benefit, we have never had such a meeting with
you, and not only For us, a
traditional question will be connected with
Soviet music,
and in this sense, I remember all the songs of this
period with which the country celebrated
those real exploits. With all that we
know today,
all this was more
than make-believe in comparison with TKP, but the exploits are then feats,
they are not real. there were and these were not
tin cans, sparing so-called
Apollos, which did not fall further without the Kola
Bay, did not fly,
these were heroic breakthroughs
based on the
exploitation of the Great enthusiasm of the
Soviet people that was and for some reason
now I remember
I just recently watched the film 9 days of
one year
I everyone I advise you
to watch this film,
especially people of our age,
those who haven’t watched it for a long time,
everything that I talked about today,
including these civilian clothes, it’s
all there and there it’s shown like that
and there, here she is, she’s the essence of the real And
there’s all this real deep
multinational spirit
that imbued with this film,
which is played by
amazingly talented, simply brilliant
actors and Batalov and other
Russian voice-over text,
this is the genius of the voice-over text and music,
without which this film would not have happened
and
I believe that this film is in the top ten best
films of all time
because it contains about the most important thing
without what a person doesn’t become at
least Soviet
and so
I remember
this my childhood
when all this was when all these flights
were I remember this atmosphere of
not a local but such a global
universal holiday Here is another flight,
someone else flew there
and all this was quite a long time
and for almost every flight a new song was composed
and the songs were not just some nimble ones,
full of energy with enthusiasm, many
many things, but
remember Kristalin’s The earth was empty without
you, well,
this is a mega
world-class masterpiece Mega,
so today,
Oddly enough, I will read two
poems that are dedicated
to Western musicians,
but
in the work of
at least one of them you can hear
Russian classics, and sometimes it’s so
piercingly poignant and
accurate in quotes. Well, it’s incredible that
in the work of the other there
is everything,
he played Russian music
and, together with Lesha Arkhipovsky,
played Mozart’s Alla Turka on stage, this video
is
also for
this is not just
an example of me,
well, an incredible guitar technique for me,
but also an
amazing warm-hearted person with
whom I have the same friendship as the Japanese,
I will start with a poem that
is dedicated to this man, his name is Tom
Emmanuel,
he is a
man who has been recognized many times by the
most
powerful music publications How better
guitarist of the year
is a person
whose award ceremony by a
representative of the Australian embassy with
some high Australian award was
broadcast live on wall street on
the screens
and a lot of things can be said this
poem is called Listening to Tommy
Emmanuel a
magical wave of his hand and now
the music floats above us
and everything around falls silent
And Human hands and hearts silently close the Circle
and the song of the heavenly father fills us with
purity of love, light of beauty
and the hand lowers
and the clouds cover the palaces of the transcendental
spheres
and quietly cries
about something eternal,
so on earth we learn about our
unearthly home about what we consider a dream
2 poem is dedicated to one of
my favorite
modern
composers
thanks to whom our human world
now is
still saturated with light,
purity,
harmony, melody is dedicated to
such a musician Koch is
transparent and airy, the sound of
heavenly notes descends on the heart, overflows
all this is a
miracle of human hands, the
movement is smooth, their lungs are unhurried
How often We, taking out the magic of
nimble fingers, forget the word
But only the melody lifts us to nature
and to the essence of everything
in which Theos is revealed to the world
I thank you for this holiday Back
to the future
friends with us today there were secrets with
Yuri Lid To be continued tomorrow
April 12 and we will sincerely remember
this holiday in general
Light in our hearts
and more good melodies for you
Thank you
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